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Johann Strauss II - Gunstwerber, Walzer, Op. 4 (1844)

On 5 September 1844 eighteen-year-old Johann Strauss II was granted permission by the Viennese authorities to perform in public with his orchestra of some twelve to fifteen players. Just six weeks later, on 15 October, he made his historic début as conductor and composer at Dommayer's Casino in Hietzing, then a suburb of Vienna. His father, Johann Strauss I (1804-49) – already the most fêted of European dance music conductor / composers – had earlier forbidden any of his three sons to pursue musical careers, and was justifiably angered by this blatant expression of filial defiance. The Dommayer evening had been advertised as a 'Soirée dansante', but such was the overwhelming clamour for admission that dancing was impossible. Johann II commenced his programme of music with the Overture to Auber's opera La Muette de Portici (= Masaniello), followed by the Cavatina from Robert le Diable by Meyerbeer. Both were enthusiastically received. Then came the moment the eager crowds had awaited: the first of the dance compositions written especially for this concert by the young conductor – the waltz Gunstwerber. The question posed by everyone, namely whether the musical talents of the father had been passed on to the son, was answered by the first-night critic of the Oesterreichisches Morgenblatt: "I myself only heard the Overture from [Auber's] 'Sirene' and the 'Gunstwerber', as it was possible only for a hyper enthusiast to endure the scuffling, pushing and being trodden upon in this heat for several hours...but from these two pieces I quite well understood that in Strauss there exists a quite excellent talent for conducting, and that in regard to his compositions he has the same flow of melody and the same piquant and effective instrumentation as his father, of whose style of composition he cannot once be called a slavish imitator." MSSO & PaveI Kogan Painting: Aleksander Gierymski - Opera paryska w nocy (1891)

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