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When Edouard Manet began to study painting in 1850, Paris' familiar, broad, tree-lined streets didn’t yet exist, and the life of the city was not a subject artists explored. Young artists could expect to succeed only through the official Academy exhibitions known as Salons, whose conservative juries favored biblical and mythological themes and a polished technique. Within twenty-five years, however, both Paris and painting had new looks. Renovations had opened the wide avenues and parks we know today, and painting was transformed when artists abandoned the transparent glazes and blended brushstrokes of the past and turned their attention to new techniques and to life around them. Contemporary urban subjects and a bold style, which offered paint on the canvas as something to be admired in itself, gave their art a strong, new sense of the present. While several artists had already begun to challenge the stale conventions of the Academy, it was Manet whose succès de scandale made him a leader of the avant-garde. His embrace of what Charles Baudelaire termed the "heroism of modern life" and his bold manner with paint inspired the future impressionists, though Manet never exhibited with them. In this docent-led talk we'll learn about what the public considered so scandalous in Manet’s works and why, today, no artist is arguably as responsible for setting modern art in motion. 2024:09:12