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I HEARD CAGE ON BOBITTO AND STRETCH AND WAS VERY IMPRESSED I THOUGHT HE WAS BLACK LIKE WOW, THIS BLACK KID IS SPITTING SERIAL KILLER SHIT WITH AMAZING FLOW SO I WAS A FAN INSTANTLY AND I WAS THINKING DAMN, I RAP LIKE THIS TOO, I DIDNT THINK ANYONE IN THE UNDERGROUND BESIDES ME AND BILL WOULD MENTION A SERIAL KILLER IN A VERSE SO THAT WAS DOPE SO I CALLED UP BOBITTO AND HE TOLD ME CAGE WAS WHITE AND I WAS BUGGIN HE TELLS ME CAGE LIVES UPSTATE AND IS REALLY HARD TO DEAL WITH, AND HE WAS GONNA PUT DUDE OUT BUT CAGE IS WAY TOO LOST IN THE SAUCE, FLAKY, ECT. SO HE SAID IF U WANT, HERE IS HIS NUMBER, LINK UP WITH HIM, GOOD LUCK, ANYTHING U CAN MAKE HAPPEN WITH CAGE I WILL SUPPORT, CUZ HE WAS SUCH A FAN OF CAGE, AND BOB SWEATED MY BEATS BUT HATED ME AS A RAPPER I FELT IT WAS AN OPPORTUNITY TO EARN SOME PRODUCTION CREDITS AND WORK WITH SOMEONE ILL WHEN I FIRST MET CAGE HE HAD A HUGE EGO, NOSE UP IN THE AIR DUDE THOUGHT HE WAS SO ILLER THAN ME IT WAS FUNNY CUZ I WAS A GRIMY THUG AND RAPPED SUPER EVIL, SO I DIDNT GET THE EGO WITH ME BUT I PUT UP WITH IT FOR THE SAKE OF MAKING SOME MONUMENTAL SHIT ANYWAY, I PLAYED HIM SOME SATANIC BEATS AND THATS WHEN HE PICKED THE BEAT FOR JUST LIKE CLOCKWORK I THOUGHT THE TRACK WAS AMAZING AT THE TIME I BROUGHT CAGE TO BROOKLYN TO CHILL AND I DONT THINK HE REALLY FIT IN WITH THE KIDS FROM BROOKLYN THEY WERENT REALLY FEELING HIM, MY PEOPLES SO WE DIDNT REALLY CLICK TOO WELL FROM JUMP BUT I WAS ABOUT BUSINESS THATS WHEN BOB SAID IF I CAN PRODUCE A 12" HE WILL RELEASE IT ON FONDLE EM SO BOB HOOKED US UP WITH MILO'S HOUSE TO RECORD THOSE SONGS FIRST DAY I MET MILO, I COULD SENSE HE WASNT MUCH OF A FAN OF MY MUSIC AND WHAT I WAS DOING HE WAS MAD POMPAS, RICH KID TYPE BUT HE LOVED CAGE I DIDNT LIKE HIS VIBE SO HE WAS PLAYING ME ALL HIS 12"S HE PUT OUT AT THE TIME THAT WERE GETTING RADIO PLAY AND ME BEING HONEST I TOLD HIM IN HIS HOUSE I DIDNT LIKE THEM HAHA I DONT THINK HE APPRECIATED THAT IN HINDSIGHT, MAYBE I COULD HAVE BEEN NICER, BUT I DIDNT FEEL DUDE WAS WORKING WITH ME CUZ OF ME, IT WAS CUZ OF BOB AND CAGE, SO I DIDNT CARE TO BE NICE IN ANYWAY, SO I KEPT IT REAL AND GAVE MY OPINION KEEP IN MIND, HE ASKED FOR IT, I DIDNT JUST DISS THE SHIT, HE WANTED MY OPINIONS PLUS I KNEW HE WAS GONNA TRY TO PRODUCE CAGE AND TAKE CAGE AWAY FROM WORKING WITH ME WHICH IS WHAT ENDED UP HAPPENING SO WE DID HIS FIRST 12" AND IT GOT MAJOR PLAY AND THE REST IS HISTORY, CLASSIC SHIT CAGE SAID HE ALWAYS WANTED TO RAP OVER THE MUSIC FROM CLOCKWORK AND I HAD THE RECORD ALLREADY, SO I HOOKED THE SHIT UP, AND WE ENDED UP RECORDING IT SOMEWHERE ELSE CUZ MILO'S STUDIO WAS A PIECE OF SHIT BUT THE CONNECTION BETWEEN HIM AND MILO WAS MADE ALLREADY MILO WAS A REAL ASSKISSER, GIVING CAGE WEED, MILO BASICALLY BRIBED CAGE AWAY FROM WORKING WITH ME CAGE EVEN ADMITTED IT, HE SAID MILO GIVES HIM MONEY AND THINGS I WASNT ABOUT TO GIVE CAGE SHIT PLUS EVERY BEAT I WOULD PLAY CAGE AFTER THOSE FIRST 2 WERE NEVER GOOD ENOUGH IM TALKING ABOUT BEATS LIKE REFUSE TO LOSE HE PASSED THAT UP BUNCH OF NON-PHIX BEATS THAT BILL ENDED UP PICKING I DIDNT GET IT, CUZ I FELT MILO WAS HORRIBLE AS A PRODUCER CAGE TOLD ME ONCE ONLY REASON HE WORKED WITH THEM WAS TO USE MILO, USE HIM FOR WEED OR RECORD SALES I DIDNT GET IT BUT THATS HIS STEEZE I HELPED CAGE ALOT ON THOSE 2 SONGS WE WOULD TALK ON THE PHONE AND HE WOULD KICK ME LINES AND I WOULD SAY NO, YES, THATS NOT GOOD HE WANTED TO START OFF RADIO HEAD WITH SOMETHING LIKE THIS "HERE COMES ALEX THE WHIRLWIND, RIPPING UP YA CITY NEW YORK TO BERLIN" SOMETHING ALONG THOSE LINES AND I SAID NAH MAN START IT WITH THE "COMING THIS WINTER" LINE I FELT THAT WAS ILLER SO HE LISTENED HE HAD A FEW LINES THAT MENTIONED OVENS, AND BURNING PEOPLE IN THEM SUBMINAL NAZI LINES AND I MADE HIM REMOVE THEM AND TOLD HIM HE MUST BE OUT HIS FUCKING MIND HE FOUND THAT FUNNY THAT I CARED AND I THOUGHT HE WAS A DOUCHBAG FOR EVEN GOING THERE WE DIDNT REALLY CLICK AS PEOPLE I DONT THINK HE RESPECTED ME MUSICALLY AS FAR AS MY RHYMES HE SWEATED ALOT OF OTHER RAPPERS I FELT SUCKED LATER WHEN I DROPPED GORY DAYS AND WE WERENT COOL ANYMORE HE HOLLERED AT ME AND GAVE ME DAPS ON GORY DAYS OUT OF NOWHERE LIKE YO THAT SHIT IS ILL I THINK THE TRACK MORBID SO HE EVENTUALLY CAME AROUND AND GAVE DAPS WHEN IT WAS APPARENT I WAS DOING MY OWN SHIT NO MATTER WHAT AND COULDNT CARE LESS IF HE LIVED OR DIED ONE TIME WE WERE IN STRETCH ARMSTRONG'S HOUSE AND I CHALLENGED HIM TO SLAPBOX JUST PLAYING AROUND AND HE REFUSED AND CALLED ME A NEANDERTHAL SO IT WAS APPARENT WE WERE BOTH ON SOME OTHER SHIT BUT I WILL NEVER DENY THAT I REALLY LOVED HIS EARLY SHIT LEADING UP TO THAT HE WAS GODLY BUT AFTER HE STOPPED WITH ME, I DIDNT LIKE THE SHIT HE DID WITH MILO IT WAS LIKE A DIFFERENT PERSON COMPARE THE OLDER SHIT WITH THE NEWER SHIT, ITS NOT EVEN THE SAME STYLE