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Spider-Man: The Origin

I co-created this film in college with many good friends, 14 years before becoming "Feedback" in the show, "Who Wants To Be a Superhero?" on the Sci-Fi Channel in 2006. It was created in 1992 for a film festival at Grinnell College, in Iowa, called "Titular Head" and all films entered had a 10 minute time limit. I created the costume and web-shooters for Halloween in 1991, but the film would have been impossible to make without all of the support and effort of the many friends that appear in it and behind the scenes as well. A second film was made, called the Scorpion's Sting, and though it was too long for a Titular Head film, a trailer for the movie appeared in the 1994 festival. All of the students (and professors) at Grinnell College that helped really came together to support that era of Spider-Man film-making. Their names are listed in the credits of the films, but I feel compelled to list them here: "G.K.:" My talented main camera man, and best man at my wedding Dave Kurzman: My fellow producer, camera man, and most excellent villain in the next film Katherine Ames: My fellow producer and amazing technical director and organizer Todd Alexander: My good friend and our backup camera man Emily Wickelgren: My dear friend who was always happy to help, whether it was lighting or loading the clapper Ingrid Swenson: Another amazing friend who was always eager to help with lighting or otherwise Ted McCoy: Ted is a master of movie soundtracks, and did an amazing job compiling music for our film! Thank you, Ted! Robert Fisher: Robert created props for this film, and was a masterful fighter in the SCA group on campus Jesse Kane: Jesse is a good friend who was always willing to assist, and we borrowed his incredibly nerdy glasses for Peter to wear in this film. Amy Goldmacher: Another great friend who styled Peter's hair into the nerdiest look possible. Ted and Berneil Mueller were amazing as Uncle Ben and Aunt Mae, Bruno Alicke, Kate Ericson, Amy Goldmacher, Sally Griffith, Dave Kurzman and Laura Lockard were wonderfully cruel schoolmates, professors Dr. Martin Minelli, Dr. Dan Schroeder, and Dr. John Stone were great as the scientists (I think Dr. Stone gives the best performance in the entire film, myself!), Gabe Rockhill drove that menacing Cadillac on the icy alleys of Grinnell without injuring people, property, or the car, Mark Anderson was a perfect Crusher Hogan (the audio in the racquetball court was terrible, but Mark rolled with it!), Nathan Brant was excellent as both Crusher's victim and later as the thief that escapes in the "high speed express elevator" (and he was great as Benedick in our production of "Much Ado About Nothing," as well), Ingrid Swenson, Adam White and Emily Wickelgren yelled their hearts out as onlookers at the wrestling match, John Zabel (my awesome freshman and sophomore year roommate and friend) was great as the shifty promoter: Max Schiffman, Lisa Dorn (another good friend) can be seen as the camera woman in the scene at the TV studio, Kate Ericson, Amy Goldmacher, and David Pfau were very professional as the show producers in that scene as well, Nicole Nemeth, Sally Griffith, and Adam White were the fantastic reporters tempting Spidey with fame, and Sergeant Hansen was a real Grinnell Police officer who joined our crew and brought his police cruiser with him! If you've read this far, then you must be a Grinnell student or professor, so here are the many others who helped create this film: Pip Gordon is a theatrical production genius, and gave us advice and access to use the Grinnell theatre for the Ed Sullivan show scene. Sandy Moffett was supportive as well, and plays a fantastic J. Jonah Jameson in the next film. Erick Sanning was another supporter, and he was there with us when we used the theatre. Ivan Perry ran the A/V center, and without him, the editing machines of the early 1990's would have eaten all of our footage. Martha Miller was always willing to help, and Deb Chance helped as well (and appears in the next film, too!). Larry Jack, Norman Hall, Mike Beaty, Roger Kendall, Kevin Ronfeldt, and Ali Akgun all supported the making of this film, and I can't thank them enough. My girlfriend in college, Jessica Goodman, was also incredibly supportive of my alter ego, and tolerated more shenanigans than she probably should have. If you don't know me, or any of these people, and you are still reading this, I can only say thank you for trying to gain some small measure of the amount of friendship and love that went into this. And - since you've stayed so long: Marvel Comics actually sent me a Cease and Desist order after viewing this film in 1993. Yes. My dear, good-intentioned mother sent them a copy of the film thinking it would lead to an opportunity. Pretty funny, huh?

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