Raag Bhairavi | Indrani Mukherjee | Kirana-Rampur Khayal | Music of India скачать в хорошем качестве

Raag Bhairavi | Indrani Mukherjee | Kirana-Rampur Khayal | Music of India

#darbarfestival | Raag Bhairavi takes its name from the Hindu goddess of destruction and conjures versatile moods. It is played at sunrise, or alternatively as the final piece in a concert. Join Darbar Academy to learn Hindustani Vocals with Indrani Mukherjee here: https://linktr.ee/darbaracademy Learn more about the music: Indrani Mukherjee is a vocalist from Kolkata, who performs khayal in the Kirana-Rampur style and thumri in Purab Ang. After training in the family she studied under gurus from Allahabad and Benares, and was selected as a scholar of the ITC Sangeet Research Academy. She currently receives taleem from Arun Bhaduri while pursuing a successful performance career. Hear more of Indrani here: -Todi |    • Видео   -Lalit |    • Mesmerising Raag Lalit | Indrani Mukherjee...   Bhairavi is often described as the ‘queen of ragas’. It takes its name from the Hindu goddess of destruction, and conjures versatile moods. To some it can evoke ‘awe, terror, and chaos’; to others ‘a pleasant sobering atmosphere of love and piety’. It is played at sunrise, or alternatively as the final piece in a concert. Understanding the raga in depth is crucial to Hindustani learning - bansuri master Rupak Kulkarni recounts the approach of his guru Hariprasad Chaurasia: “Guruji taught me Raag Bhairavi for five years. When I complained about the repetition, he said: ‘You have to practice Bhairavi until your last breath’. That is what made me realize what swarabhyas [the study of notes] means”. It is based on the form SrgmPdnS - all swaras [notes] are komal [flattened] except Sa, Ma, and Pa, like the Western Phrygian scale or Carnatic Raga Hanumatodi. The vadi and samvadi [king and queen notes] are typically taken to be Ma and Sa. The raga commonly takes a versatile mishra (‘mixed’) form - all 12 notes are allowed, thus injecting some comparatively rare chromaticism into Hindustani music. Its flexibility is unmatched in the raga pantheon. Recorded at Darbar Festival in 2017, at London’s Sadler’s Wells: -Indrani Mukherjee (khayal vocal) -Gurdain Rayatt (tabla) -Milind Kulkarni (harmonium) -Seetal Dhadyalla (tanpura) WATCH HUNDREDS OF FULL LENGTH VIDEOS on the Darbar Player app here: https://tab.so/player - Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust