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In 1943, as Europe is torn apart by war, a young French woman is captured by a German military unit. She is not a soldier, not a hero, and not a symbol — she is simply a human being pulled into the machinery of war. Taken into a German field camp, she is offered no dramatic interrogation, no shouted threats. Instead, she is given a colder choice: remain silent, or move forward with the army as it advances toward the front. Orders are brief. Words are scarce. Power is expressed through routine rather than violence. The film follows the movement of a German military convoy as it crosses open fields, deserted villages, and temporary encampments. Alongside the march, the camera observes the harsh ordinary life of war — soldiers eating by firelight, sleeping on bare ground, dismantling tents at dawn — while unseen civilians hide behind locked doors, holding each other in fear. There is no musical score to guide emotion. Only engines, wind, metal, footsteps, and silence. There are no heroes in this story. Only people moving forward because they are ordered to — or because they have no other place to stand.