4 Qualities of Good Realism & more – Ep.3 Oil Painting Q&A with Mark Carder скачать в хорошем качестве

4 Qualities of Good Realism & more – Ep.3 Oil Painting Q&A with Mark Carder

If you have a question for me, post it in the comments below. I'll answer as many as I can on next Thursday's episode. Here are links to each question answered in this video: 00:33 — a lesson on the four essential qualities in good realism 08:15 — Could you go into detail about what makes a strong composition? 11:26 — Is it possible to mix Naples Yellow with the Geneva palette? 12:45 — When doing master studies, how can you consciously learn something instead of just mindlessly copying? 15:23 — How do you set prices for artwork? What do you think about galleries getting 50%? 17:11 — Do you have any tips for using Geneva paints outdoors for plein air painting? 17:37 — How does using walnut oil as a medium affect paint? 19:51 — How do you paint with a dirty brush (not fully cleaning your brush while moving around the painting)? 22:01 — Could you explain the technique of mixing a yellow other highly saturated color? 23:56 — When working in three or more layers, should I thin the first layer with solvent? 25:04 — Do you always mix your own black? What is the burnt umber to ultramarine blue ratio in your Geneva Black? 26:58 — How do I proceed when a painted object in my unfinished painting has dried? When can I re-oil areas of the unfinished painting that have become matte? 28:28 — Will you be offering a video or workshop teaching us how to paint horses? 28:59 — Regarding the fat-over-lean rule, do your Geneva oil colors contain more oil, less oil, or about the same amount of oil as standard tube paint? 29:52 — When you talk about having a dark cloth hanging behind you in your studio, do you mean behind your easel, or do you mean a dark backdrop behind your back?