Guitar Technique, Micro & Macro Relaxations скачать в хорошем качестве

Guitar Technique, Micro & Macro Relaxations

Playing Relaxed – Why It Matters When we play guitar—whether practicing or performing—some muscles will always be at work. But the professional guitarist learns to only use the muscles needed for the task at hand. Anything extra creates unnecessary tension, which leads to fatigue, bad tone, and sloppy playing. Take finger a, for example: if it’s not being used, it should be totally or partially relaxed. Of course, there are different levels of tension depending on what you’re playing. During tremolo, for instance, your fingers only have time to partially relax between strokes. As Carlevaro wisely said: “The isolated work of the fingers is the main cause of muscular fatigue.” Now, everyone’s body is different—some players are naturally stronger or more flexible—so the right amount of tension is something personal and must be discovered through experience. I’ll be sharing a series of short, no-nonsense exercises for both hands. Personally, I’ve only ever followed a regular “exercise routine” (I don’t even like the word) for about five months in my entire playing life. Why? Because exercises should be used only to master a specific skill. Once you’ve got it, move on. This upcoming exercise will help you with: • Gaining independence in your right-hand fingers • Shifting the accent to any finger in the right hand • Changing positions on the fretboard quietly • Presenting the fingers correctly in position B* • Putting fijación into action Complete masterclass here: https://www.mangore.com/carlevaro-tec... Renato Bellucci © mangore.com S.D.G.