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Antilegos, Part 1, for microtonal keyboard and video. Ernst Surberg, Keyboard and video performance. AntiLegos. Three pieces based on structural, epistemological, musical and sometimes gestual contradictions. An Ensamble Mosaik commission premiered at the Donaueschinger Musiktage, 2015. All 3 AntiLegos were written and shot in Berlin. The three pieces share the same stage-score, at different tempi and with slight differences. AntiLego ONE deals with the linking of interpretation, language and expression. To generate the video part, Ernst Surberg read two texts using a teleprompter. Later on, on stage, he read a score. In the far RIGHT-side video window, I mixed two kinds of text: one is "African-like" sounding, very open, rhythmic and yet meaningless. The other text consists of long random citations of Carl Seashore's "In search of beauty in Music" (1947, Ronald Press, meaningless indeed). Before each text appears on the teleprompter, the performer has to read instructions (in the video itself) about how to read the text. (There is also the instruction "FREE" in the video, meaning the performer can improvise by reading or acting). For the far LEFT-side video window I used the same texts, but with different entry-cues and different gesture instructions. After rendering the videos at fast speed (both text readings standardize, loosing its cultural identity), I made the microtonal-keyboard stage-score. The stage-score is rhythmical in character. A single strata is splitted into two textures, each one representing one of the videos, each video representing two different "gestalten" of the performer (which actually, at the end, are not so different).