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In Chapter 3, we’ll be experimenting with EQ, level and compression to balance the kick, snare and overheads. DESCRIPTION: A few years ago we set out to create an “all analog mixing” tutorial. The goal was to record a simple rock band track, mix the entire song in analog (here on the API) and print the final mix to tape - the entire (mix) process in the analog domain. Due to time constraints, a few missing shots, and other incoming recording projects we never got around to completing it… Upon a recent rewatch, I realized that it’s still some really great, informative content - even in it’s current form. Yes, it’s missing some stuff, and yes, it might be incomplete, but it would be a shame to let it collect digital dust on a hard drive! Over the next several weeks I’m going to review, try and annotate any missing info, and post chapters here on YouTube. My goals is to get through a a couple each week. If you have any questions or find stuff that needs clarifying feel free to ask in the comments. You can also find me on social media and ask me directly. Cheers and I hope you enjoy/find value in it! Session Input List (PDF on Google Drive): https://bit.ly/3ESnui6 NEXT CHAPTER: • Analog Rock Mixing #4: Hi-Hats, Room Mics ... PREVIOUS CHAPTER: • Analog Rock Mixing #2: Session Start and I... OUTLINE: 0:00 - Overhead Mics balance and EQ - (API 550a) 1:02 - Kick Drum balance and EQ - (API 560) 2:20 - Snare Drum balance and EQ - (API 550b) 4:27 - Patching in some compressors 5:11 - Adding a Distressor to compress the bass drum 6:05 - Adding a DBX 160X to compress the snare drum 7:18 - Compression review Special thanks to Deborah Reeves (https://www.deborahreevesvoiceover.com/) and Signature Sound (https://signaturesound.com/) As always, please try and listen on quality speakers or headphones. ME: https://www.christiancummings.com/ / christian.m.cummings / christiancummings #analog #rock #mixing #tutorial