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I usually despise superzooms. If it’s darker than f/4, I don't want it in my kit. But after taking the Lumix 28-200mm f/4-7.1 from the freezing basketball courts of Estonia (-20°C!) to the golden hour in California, I might have found a new favorite "Holiday King." Is an f/7.1 aperture actually usable in the real world? In this video, I’m putting the Lumix 28-200mm to the test on the S5IIX and the S9. We’re looking at: The Weight Factor: Why I left my 70-200mm f/2.8 behind. Low Light & High ISO: How Lightroom’s AI noise reduction saves the day. The S9 Pairing: Is this the perfect compact setup for travel? Estonia vs. California: Real-world results from two completely different environments. I’m not a fan of technical spec-dumping, so let’s talk about how this gear actually feels when you’re on the move. Gear mentioned in this video: Lumix 28-200mm f/4-7.1 Macro OIS Lumix S5IIX Lumix S9 Wandrd Sling -------------------------------------------------------- You can find me also in Instagram: / rogerinfinland These are affiliate links, which doesn’t cost anything extra to you, but it helps the channel very much: Gear I use or used, in Thoman: https://thmn.to/thocf/5w5k5zlhyb Gear I currently use, in Amazon: US https://www.amazon.com/shop/rogerinfi... UK (Europe) https://www.amazon.co.uk/shop/rogerin... Gear I used to use, and I’d still recommend, in Amazon: US https://www.amazon.com/shop/rogerinfi... UK (Europe) https://www.amazon.co.uk/shop/rogerin... My small condenser microphones: t.Bone EM700 https://bit.ly/3BuUWwP t.Bone EM800 https://bit.ly/2GYrhSy Browse Thomann to find more stuff: https://bit.ly/3S7wzdQ The following ones are not affiliate, but might still be useful: Assets and music from: http://www.freesfx.co.uk https://www.productioncrate.com/ https://triunestore.com/ https://artlist.io/ https://www.soundjay.com/ Software I use: Davinci Resolve (free): https://www.blackmagicdesign.com/fi/p... HitFilm Express: https://fxhome.com/express