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OK, Good: Prelude serves as an opening, a prelude to something larger, yet it stands firmly as its own entity. It is a study of acceptance, of surrendering to the moment as it is, and of understanding that sometimes the answers we seek are not to be found in the grand scheme of things, but in the small, simple exchanges of everyday life. The film is a quiet dialogue — not of words, but of presence. It invites us to consider the beauty of what is without the need to force meaning into it. The characters, in their interactions, offer a gentle meditation on human connection: imperfect, fleeting, yet profound in its simplicity. The prelude acts as a space between the noise, a pause where we can breathe and understand that everything is, in its own way, “OK.” OK, Good: Prelude is a film about acceptance — about accepting the world and ourselves without the pressure of perfection. It is an exploration of the quiet acceptance that sometimes, being present is enough.