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"Squaw Man" (1914) - Cecil B. DeMille's directorial debut скачать в хорошем качестве

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"Squaw Man" (1914) - Cecil B. DeMille's directorial debut

A chivalrous British officer, James Wynnegate (Dustin Farnum) and his cousin, Henry (Monroe Salisbury), are upper-class Englishmen and trustees for an orphans' fund. Henry loses money in a bet at a derby and embezzles money from "the fund" to pay off his debts. When war office officials are informed of the money missing they pursue James, but he successfully escapes to Wyoming. There, James rescues Nat-U-Ritch (Lillian St. Cyr), daughter of the chief of the Ute tribe, from local outlaw Cash Hawkins (William Elmer). Hawkins plans to exact his revenge on James, but has his plans thwarted by Nat-U-Ritch, who shoots him dead. Later, James has an accident in the mountains and needs to be rescued. Nat-U-Ritch discovers him and carries him back to safety. As she nurses him back to health, they fall in love and later have a child. Meanwhile, during an exploration of the Alps, Henry falls off a cliff. Before he succumbs to his injuries, Henry signs a letter of confession proclaiming James's innocence in the embezzlement. Before Henry's widow, Lady Diana (Winifred Kingston) and others arrive in Wyoming to tell James the news, the Sheriff recovers the murder weapon that was used against Cash Hawkins in James and Nat-U-Ritch's home. Realizing that their son is not safe, the couple sends him away, leaving them both distraught. Facing the possibilities of losing both her son and her freedom, Nat-U-Ritch commits suicide. The movie ends with both the Ute chief and James embracing her body. A 1914 American Black & White silent Western film (a/k/a "The White Man") directed by Cecil B. DeMille and Oscar C. Apfel, produced by Cecil B. DeMille, Oscar C. Apfel and Jesse L. Lasky, screenplay by Cecil B. DeMille and Oscar C. Apfel, based on Edwin Milton Royle's 1905 play of the same name, cinematography by Alfredo Gandolfi, starring Dustin Farnum, Monroe Salisbury, Lillian St. Cyr, Winifred Kingston, Joseph Singleton, William Elmer, Mrs. A.W. Filson, Haidee Fuller, Foster Knox, Dick La Reno, Richard L'Estrange, Fred Montague, Cecil B. DeMille, Cecilia de Mille, and Art Acord. Screen debut appearances of Raymond Hatton and 'Baby' Carmen De Rue. Cecil B. DeMille's ledger noted that he hired an extra named Hal Roach for $5 per day, Cecil B. DeMille's directorial debut. The first film for the Jesse L. Lasky Feature Play Company. DeMille rented what is now known as the Lasky-DeMille Barn at the southeast corner of Selma and Vine Streets to serve as their studio and production office. Today it's home to the Hollywood Heritage Museum. The first feature-length film to be shot in Hollywood. Short films such as In "Old California" (1910) had previously been made in the neighborhood. The Motion Picture Patents Trust, headed by Thomas A. Edison, was at that time engaged in an attempt to control all motion picture production in the US, and went to great lengths--often including the destruction of property and physical violence--to do so. The Trust was based on the East Coast, which is why many independent producers, such as Cecil B. DeMille, began shooting their films in California. The Trust's intimidation tactics explain why DeMille--one of their most vocal opponents--put no cast or crew credits on this film. Dustin Farnum was a notable Broadway star and his wife, Winifred Kingston, a well-known actress. Farnum was originally offered profit participation but requested $5000 instead. In order to raise that capital, Samuel Goldwyn traveled the country and sold the rights to the film to exhibitors before a single frame had been shot, making this as the first film to pre-sell the rights before production. Non-Native American actor Joseph Singleton played the role of Tabywana, Nat-U-Ritch's father. "Princess Red Wing" (Lillian St. Cyr) was born into the Winnebago Tribe of Nebraska on the Winnebago Reservation. She and her husband, James Young Deer (of the Nanticoke people of Delaware), have been regarded as one of the first "Native American power couples" in Hollywood, along with Mona Darkfeather and her husband, director Frank E. Montgomery. During the early silent film era, films based on Native Americans were popular. In the state of California, anti-miscegenation laws existed until 1948; however, while African-Americans couldn't legally marry whites in California during filming, marriages between Native Americans and whites were permitted. Though there were Native American actors, whites were mostly cast as Native characters. The first movie to be remade, in 1918. This went on to become the only movie successfully filmed three times by the same director/producer, DeMille. He filmed a silent remake in 1918, and a talkie version in 1931. An important, historically landmark film with a dated, old-hat story. One of the first feature length films ever made, during the film industry's infancy. There are no close-ups. Each scene is filmed with either a static long shot or medium group shot. And there is virtually no camera movement.

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