校 薪邪褋 胁褘 屑芯卸械褌械 锌芯褋屑芯褌褉械褌褜 斜械褋锌谢邪褌薪芯 诪砖专讚 诪注讜爪讘 讘爪讬讜专讬诐 注讬爪讜讘 讛诪砖专讚 讘讗诪谞讜转 讬砖专讗诇讬转 爪讬讜专讬诐 谞讗讬讘讬讬诐 专驻讬 驻专抓 讗诪谞讜转 谞讗讬讘讬转 注讻砖讜讜讬转 诪讜讚专谞讬转 懈谢懈 褋泻邪褔邪褌褜 胁 屑邪泻褋懈屑邪谢褜薪芯屑 写芯褋褌褍锌薪芯屑 泻邪褔械褋褌胁械, 胁懈写械芯 泻芯褌芯褉芯械 斜褘谢芯 蟹邪谐褉褍卸械薪芯 薪邪 褞褌褍斜. 袛谢褟 蟹邪谐褉褍蟹泻懈 胁褘斜械褉懈褌械 胁邪褉懈邪薪褌 懈蟹 褎芯褉屑褘 薪懈卸械:
袝褋谢懈 泻薪芯锌泻懈 褋泻邪褔懈胁邪薪懈褟 薪械
蟹邪谐褉褍蟹懈谢懈褋褜
袧袗袞袦袠孝袝 袟袛袝小鞋 懈谢懈 芯斜薪芯胁懈褌械 褋褌褉邪薪懈褑褍
袝褋谢懈 胁芯蟹薪懈泻邪褞褌 锌褉芯斜谢械屑褘 褋芯 褋泻邪褔懈胁邪薪懈械屑 胁懈写械芯, 锌芯卸邪谢褍泄褋褌邪 薪邪锌懈褕懈褌械 胁 锌芯写写械褉卸泻褍 锌芯 邪写褉械褋褍 胁薪懈蟹褍
褋褌褉邪薪懈褑褘.
小锌邪褋懈斜芯 蟹邪 懈褋锌芯谢褜蟹芯胁邪薪懈械 褋械褉胁懈褋邪 ClipSaver.ru
专驻讬 驻专抓, 砖砖诪讜 讛诪诇讗 讛讜讗 专驻讗诇 驻专抓, 讛讜讗 爪讬讬专 讬砖专讗诇讬 诪讜讻专 讘注讬拽专 讘讝讻讜转 爪讬讜专讬讜 讛谞讗讬讘讬讬诐12. 驻专抓 谞讜诇讚 讘砖谞转 1965 讘讬专讜砖诇讬诐, 讜诪讗讝 1995 讛讜讗 讞讬 讘转诇 讗讘讬讘 . 讛讜讗 讛转讞讬诇 诇爪讬讬专 讘讙讬诇 23, 讜讘讬谉 讛砖谞讬诐 1989-1992 诇诪讚 讗诪谞讜转 讘诪讻诇诇讛 诇讗诪谞讜讬讜转 讞讝讜转讬讜转 讘讘讗专 砖讘注. 驻专抓 诪爪讬讬专 谞讜驻讬诐 注讬专讜谞讬讬诐 讘住讙谞讜谉 谞讗讬讘讬, 诪转讗专 讗转 讛讞讬讬诐 讘专讞讜讘讜转 讛注讬专, 讘讙谞讬诐 讜讘诪拽讜诪讜转 讛爪讬讘讜专讬讬诐 讘驻诇讟转 爪讘注讬诐 讘讛讬专讛 驻专抓 诪爪讬讬专 讗转 讛注专讬诐 砖讛讜讗 讗讜讛讘, 讻诪讜 转诇 讗讘讬讘, 讬专讜砖诇讬诐,诇讜谞讚讜谉 讜谞讬讜 讬讜专拽, 讘讚专讱 爪讘注讜谞讬转 讜诪砖讜讙注转4. 讛讜讗 诪爪讬讬专 讗转 讛专讞讜讘讜转 专讞讘讬诐 讜谞拽讬讬诐, 讛注爪讬诐 讜讛驻专讞讬诐 诪专讗讬诐 注砖讬专讬诐, 讜讛讗谞砖讬诐 诪专讗讬诐 砖诪讞讬诐 讜诪讙讜讜谞讬诐. 讛住讙谞讜谉 讛谞讗讬讘讬 砖诇讜 诪住驻专 住讬驻讜专 驻砖讜讟 诪讛讞讬讬诐 讛讬讜诪讬讜诪讬讬诐, 讘讚专讱 讻诇诇 注诐 讘谞讬 讗讚诐. 讛讜讗 诪讬讬爪讙 讗转 讛讗讬讚讬讗诇讬讝爪讬讛 砖诇讜 砖诇 讛诪爪讬讗讜转. 驻专抓 诪爪讬讬专 讗转 转诇 讗讘讬讘 讻讬 讛讜讗 讗讜讛讘 讗转 讛注讬专, 砖讛讬讗 讘讬专转 讛转专讘讜转, 讛讞讬专讜转 讜讛讞讬诇讜谞讬讜转. 讛讜讗 讗讜讛讘 讗转 讘谞讬讬谞讬 讛讘讗讜讛讗讜住, 讗转 讛讘谞讬讬谞讬诐 讛诪拽砖讟讬诐 诪砖谞讜转 讛-20 讜讛-30, 讗转 讛诪讙讚诇讬诐 讜讛讙讜专讚讬 砖讞拽讬诐 讛诪讜讚专谞讬讬诐, 讜讗转 讛砖讚专讜转 讛讬驻讜转1. 讛诐 谞讜转谞讬诐 诇讜 转讞讜砖讛 砖诇 诪讟专讜驻讜诇讬谉 讙讚讜诇 注诐 讗专讻讬讟拽讟讜专讛 诪专转拽转. 爪讬讜专讬讜 砖诇 驻专抓 砖诇 讬专讜砖诇讬诐 诪讻讬诇讬诐 讬讜转专 爪讘注讬诐 爪讛讜讘讬诐 讜讝讛讘讬诐, 讻诪讜 讞讜诪讜转 讛注讬专 讛注转讬拽讛. 讛诐 讙诐 诪转讗专讬诐 砖讬转讜祝 驻注讜诇讛 砖诇讜诐 讘讬谉 讬讛讜讚讬诐 讜注专讘讬诐 讜讗转 讛注讜诇诐 讛讚转讬 讛讬讛讜讚讬. 爪讬讜专讬讜 砖诇 转诇 讗讘讬讘 讛诐 讬讜转专 爪讘注讜谞讬讬诐, 注诐 讬诐 讻讞讜诇, 讙讜专讚讬 砖讞拽讬诐, 讘诇讜谞讬诐, 讜诪讜讟讬讘讬诐 讞讬诇讜谞讬讬诐 谞讜住驻讬诐. 鈥溩愖炞 转诇 讗讘讬讘讬 讘讻诇 诪讜讘谉 砖诇 讛诪讬诇讛 鈥 诪爪讬讬专 讗转 讛谞讜祝 讛注讬专讜谞讬 砖诇 讛注讬专 鈥 诪诇讗 砖诪讞讛鈥 Rafi Peretz, whose full name is Raphael Peretz, is an Israeli painter known mainly for his naive paintings12. Peretz was born in 1965 in Jerusalem, and since 1995 he has lived in Tel Aviv. He started painting at the age of 23, and between the years 1989-1992 he studied art at the College of Visual Arts in Be'er Sheva. Peretz paints urban landscapes in a naive style, depicting life in the city streets, gardens and public places in a bright color palette Peretz paints the cities he loves, such as Tel Aviv, Jerusalem, London and New York, in a colorful and crazy way4. He paints the streets wide and clean, the trees and flowers look rich, and the people look happy and diverse. His naive style tells a simple story from everyday life, usually with humans. It represents his idealization of reality. Peretz paints Tel Aviv because he loves the city, which is the capital of culture, freedom and secularism. He loves the Bauhaus buildings, the decorative buildings from the 1920s and 1930s, the modern towers and skyscrapers, and the beautiful boulevards1. They give it the feeling of a big metropolis with fascinating architecture. Peretz's paintings of Jerusalem contain more yellow and gold colors, like the walls of the old city. They also describe peaceful cooperation between Jews and Arabs and the Jewish religious world. The paintings of Tel Aviv are more colorful, with a blue sea, skyscrapers, balloons, and other secular motifs. "A Tel Avivian artist in every sense of the word - paints the urban landscape of the city ... full of joy"