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I See Phantoms of Hatred and of the Heart's Fullness and of the Coming Emptiness (Official Video) скачать в хорошем качестве

I See Phantoms of Hatred and of the Heart's Fullness and of the Coming Emptiness (Official Video) 10 месяцев назад

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I See Phantoms of Hatred and of the Heart's Fullness and of the Coming Emptiness (Official Video)
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I See Phantoms of Hatred and of the Heart's Fullness and of the Coming Emptiness (Official Video)

"The Neon Gate" is out now on Paradise of Bachelors (worldwide) and Paper Bag Records (Canada). BUY/LISTEN: https://lnk.to/24naps DETAILS: https://paradiseofbachelors.com/shop/... LINKS https://www.napeyes.com https://napeyes.bandcamp.com   / napeyes     / napeyes     / napeyes   CREDITS Director/DOP: Ana-Maria Espino Trudel 1st Camera Operator/Drone Operator: Cody Walker 2nd Camera Operator: Sam Blake Additional Camera Operator: Kyrston Kumor Production: Having Fun Productions Nigel Chapman: vocals, guitars, synths, drum programming Brad Lahead: guitars, bass, synths, drum programming Josh Salter: bass, guitars, synths Seamus Dalton: drums, guitars, synths “Dark Mystery Enigma Bird” was recorded by Nigel Chapman at Studio Dolly (Montreal, QC) and mixes by Brad Lahead. I SEE PHANTOMS OF HATRED AND OF THE HEART’S FULLNESS AND OF THE COMING EMPTINESS Lyrics by W.B. Yeats (1865–1939), from the poem “Meditations in Time of Civil War” (1922). I climb to the tower-top and lean upon broken stone, A mist that is like blown snow is sweeping over all, Valley, river, and elms, under the light of a moon That seems unlike itself, that seems unchangeable, A glittering sword out of the east. A puff of wind And those white glimmering fragments of the mist sweep by. Frenzies bewilder, reveries perturb the mind; Monstrous familiar images swim to the mind’s eye. “Vengeance upon the murderers,” the cry goes up, “Vengeance for Jacques Molay.” In cloud-pale rags, or in lace, The rage-driven, rage-tormented, and rage-hungry troop, Trooper belabouring trooper, biting at arm or at face, Plunges towards nothing, arms and fingers spreading wide For the embrace of nothing; and I, my wits astray Because of all that senseless tumult, all but cried For vengeance on the murderers of Jacques Molay. Their legs long, delicate and slender, aquamarine their eyes, Magical unicorns bear ladies on their backs. The ladies close their musing eyes. No prophecies, Remembered out of Babylonian almanacs, Have closed the ladies' eyes, their minds are but a pool Where even longing drowns under its own excess; Nothing but stillness can remain when hearts are full Of their own sweetness, bodies of their loveliness. The cloud-pale unicorns, the eyes of aquamarine, The quivering half-closed eyelids, the rags of cloud or of lace, Or eyes that rage has brightened, arms it has made lean, Give place to an indifferent multitude, give place To brazen hawks. Nor self-delighting reverie, Nor hate of what’s to come, nor pity for what’s gone, Nothing but grip of claw, and the eye’s complacency, The innumerable clanging wings that have put out the moon. I turn away and shut the door, and on the stair Wonder how many times I could have proved my worth In something that all others understand or share; But O! ambitious heart, had such a proof drawn forth A company of friends, a conscience set at ease, It had but made us pine the more. The abstract joy, The half-read wisdom of daemonic images, Suffice the ageing man as once the growing boy.

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