THE DOMINANCE OF THE DIMINISHED CHORD скачать в хорошем качестве

THE DOMINANCE OF THE DIMINISHED CHORD

How is it that four disparate dominant seven chords (e.g., C7, Eb7, F#7 and A7) can be treated effectively the same? The answer comes with the addition of a flat nine extension, creating the same diminished chord within each. Once you get your brain and especially your fingers around the understanding that every diminished chord can resolve in four different directions, dominant resolution becomes more intuitive and fluent. Even if the theoretical concept has you scratching your head, to your ears it will make sense, as you’ll hear in the demonstrations. The final exercise elicits surprise when the diminished chord is first heard to resolve in an unexpected direction, then the ear quickly adjusts. ABOUT THIS CHANNEL On this channel, jazz trumpeter, educator and author Chase Sanborn offers advice and tips for musicians and music students, based on more than forty years of experience as a professional musician. PLAYLISTS This link will take you to all the playlists on this channel:    / @chasesanborn   LEAVE A TIP You can leave a tip to support the work that goes into this channel by clicking the THANKS button. Thanks to YOU for watching! MORE INFORMATION For more in-depth and personal information and instruction, check out Chase's books and online lesson options on his website: http://www.chasesanborn.com