Sigma FP BIT DEPTH Deep Dive скачать в хорошем качестве

Sigma FP BIT DEPTH Deep Dive

#sigma #sigmafp #cinematic #cinemacamera #mirrorlesscamera Hey guys, welcome back to another video in what has become a mini series for the one and only Sigma FP! Ever wondered if it really makes much of a difference when shooting in RAW if you use a lower vs. higher bit depth? The results might surprise you! If you have enjoyed my other Sigma FP videos or want to learn a bit more in detail about the amazing CinemaDNG raw files that this camera records, you'll want to watch this video! (Use the chapter markers to jump around to the parts of the video that are most relevant to you.) -- *DISCLAIMER*: Thank you so much for supporting this channel, we are growing quickly!! 🥳 Please help the channel grow by smashing that like button, subscribing, and also taking the time to watch the other videos on the channel. Our next major goal is to hit 10K subscribers. We are close guys, thank you for your support!! 💗 My gear: Sigma FP: https://bhpho.to/3wFoXKg Red Komodo: https://bhpho.to/46mBorC Blackmagic Cinema Camera 6K: https://bhpho.to/3XPL1eS Fuji X-H2: https://bhpho.to/3r4HrRx Fuji X-H2s: https://bhpho.to/3NUEKdP Fuji X100vi: https://bhpho.to/3N7G8cj Amaran Bi-color Dome Light: https://bhpho.to/3CNVBJq Amaran RGB Tube Light: https://bhpho.to/3PuAx20 Nanlite RGB Tube Light: https://bhpho.to/3JwpWzL Sirui Bendable RGB Light: https://bhpho.to/3ULge1v Aputure Bulb Light: https://bhpho.to/4dQt1Zk Rode Wireless Mics: https://bhpho.to/3NsaRk1 Sirui 24mm Jupiter T2 Macro Cine Lens: https://bhpho.to/3GHPVml Sirui 35mm Jupiter T2 Macro Cine Lens: https://bhpho.to/3uFygZC Sirui 50mm Jupiter T2 Macro Cine Lens: https://bhpho.to/3XrVPPV Sirui 75mm Jupiter T2.8 Macro Cine Lens: https://bhpho.to/4e5Gf4o Tokina Cinema ATX 50-135mm T2.9 Super 35 Cine Lens: https://bhpho.to/3NXzFSF Tokina Cinema ATX 11-20mm T2.9 Super 35 Cine Lens: https://bhpho.to/3T5XwlV Rokinon Cine DS 20mm T1.9 Lens: https://bhpho.to/42UpzG5 Blazar Remus 45mm T2 1.5x Anamorphic Lens: https://bhpho.to/3TRLmfX Blazar Remus 85mm T2.8 1.5x Anamorphic Lens: https://bhpho.to/4eoTH38 Canon RF 100-400mm f5.6-8 Zoom Lens: https://bhpho.to/43YQEJM Canon RF 14-35mm f4 Wide Angle Zoom Lens: https://bhpho.to/4dygEj0 Laowa 100mm f2.8 2X Ultra Macro APO Lens for EF mount: https://bhpho.to/4aLLS4M Tamron 17-70mm f2.8 Lens for Fuji X: https://bhpho.to/3plDLu2 Tamron 11-20mm f2.8 Lens for Fuji X: https://bhpho.to/4dKhdrl Fujifilm 50mm f1.0 Lens for Fuji X: https://bhpho.to/3Pw60AV Zeiss Touit 32mm f1.8 Lens for Fuji X: https://bhpho.to/3CTiCdL Sigma 16-28mm f2.8 L mount Lens: https://bhpho.to/4e6WldR Sigma 65mm f2 L mount Lens: https://bhpho.to/4bHxBYl Sigma 35mm f2 L Mount Lens: https://bhpho.to/4e8DQpK Panasonic Lumix S 28-200mm f/4-7.1 L Mount Lens: https://bhpho.to/3XPtgfE Chapter Markers: 0:00 - 3 Flavors of CDNG 2:27 - Comparing Clips in Resolve 3:32 - Visual Similarities and Differences 4:50 - Is 8-bit Enough? 6:05 - 12-bit Advantages 7:26 - Color Grading, Under and Overexposure Comparison 8:50 - Where 12-bit Truly Shines 10:42 - Conclusions