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The Glenn Miller Story – Moonlight Serenade From the Sound Track of the Universal-International Motion Picture The Glenn Miller Story The Universal-International Orchestra conducted by Joseph Gershenson Fox Trot Instrumental Written by Glenn Miller and Mitchell Parish 78 RPM audio transfer from the Bowness Arts collection of vintage records. Title: The Universal-International Orchestra – The Glenn Miller Story Label: Decca A-952 Format: 4 x Shellac, 10", 78 RPM, Box Set Album (8 Sides) Recorded: 1953 Released: 1954 Genre: Jazz, Stage & Screen Style: Big Band, Swing, Instrumental, Soundtrack Tracklisting: Side 1: Moonlight Serenade Side 2: Tuxedo Junction Side 3: Little Brown Jug Side 4: A String Of Pearls Side 5: In The Mood Side 6: Pennsylvania 6-5000 Side 7: St. Louis Blues - March Side 8: American Patrol "The Glenn Miller Story" is a 1954 American biographical film about the life of the legendary American band-leader, Glenn Miller. Directed by Anthony Mann and starring James Stewart and June Allyson, the film chronicles Miller's rise to fame and his contribution to the big band music scene during the 1930s and 1940s. The movie portrays Miller as a hard-working musician who relentlessly pursued his dream, despite facing various obstacles and setbacks. It depicts his journey from playing in small-time bands to eventually forming his own orchestra, which became one of the most popular musical acts of its time. The film is a classic example of Hollywood's biographical films of the 1950s. While it is a tribute to Miller's legacy, the film has been criticized for its factual errors, as it takes creative liberties with certain aspects of Miller's life, and is riddled with factual errors, with some of the most notable ones being that the closing scene depicts Miller's swing instrumental of "Little Brown Jug" as a "special arrangement" he created for a Christmas 1944 radio broadcast, when in fact it was one of the real Miller Band's first bona fide hits in 1939; Miller's two adopted children are purported to have been adopted in 1938, when they were actually adopted in 1943 and 1944; and Frances Langford never performed with either the civilian or AAF bands. The film also makes several other errors, including showing the band recording "Tuxedo Junction" for a motion picture soundtrack when the song was not used in either of the band's two films, and the portrayal of Miller as a solo performer instead of a band leader in his early career. Overall, "The Glenn Miller Story" is an entertaining and inspiring film that pays homage to one of the most influential musicians of the 20th century, but it should be noted that some of its portrayals deviate from actual events. Glenn Miller was a renowned American musician and bandleader who was born on March 1, 1904, in Clarinda, Iowa. He began his musical journey as a trombonist in his high school band and later went on to attend the University of Colorado where he formed his first band. After several unsuccessful attempts, Miller finally found success with his orchestra in 1938. He became a household name in the 1940s with hits such as "Moonlight Serenade," "Chattanooga Choo Choo," and "In the Mood." His music was characterized by its smooth sound, unique arrangements, and catchy melodies. He was known for his use of clarinet and saxophone sections, which added to the distinct sound of his orchestra. During World War II, Miller enlisted in the United States Army Air Force. He led the Army Air Force Band, entertaining troops in Europe and North Africa. Unfortunately, Miller's life was cut short when he disappeared on December 15, 1944, during a flight from England to France. Despite extensive search efforts, his plane was never found, and his death remains a mystery. Miller's legacy lived on after his death, with numerous tribute bands and recordings of his music. He was posthumously awarded the Bronze Star Medal and the Purple Heart for his service during the war. Today, he is regarded as one of the most influential bandleaders of the swing era and a cultural icon of the 1940s. Note: The first 78 RPM record came into existence around 1894, and in 1912, the Gramophone Company established 78 rpm as their recording standard. The production of shellac records continued throughout the 78 rpm era, with "microgroove" 78 rpm vinyl records being introduced in the 1940s. The popularity of the 33 1/3 rpm "Long Play" record, initially released in 1948, caused the 78 rpm record to become obsolete before the end of the 1950s. As these 78 rpm recordings are quite old, they may contain derogatory language and/or negative stereotypes. It is important to evaluate such recordings within their historical context and consider them as a reflection of the attitudes prevalent at the time. These recordings form an integral part of the historical record and do not represent the views of this poster, channel, or Bowness Arts.