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Due to the length of this video, it will be indexed below in four parts. Clicking on the time stamp to the left of each index topic in the YouTube window below the video will take the viewer directly to that part of the video. On mobile devices, the viewer may need to manually forward to find particular topics. Part I – Introduction and definition of Organic Harmony 0:00 – Title screens and All Of Me solo 1:16 – Introduction 4:03 – Definition of “Organic Harmony” 5:00 – FMa7 in two different contexts 6:57 – A-7 in two different contexts 9:17 – Conflicts between education and intuition Part II – Musical examples relating to changes to All Of Me 10:04 – Introduction to first 8 bars of All Of Me 10:33 – All Of Me changes comparison and melodic reduction 11:01 – All Of Me chord scale approach 13:04 – All Of Me organic approach 15:30 – Definition of “Changing Tones” 17:30 – All Of Me changing tone map 19:00 – Comparison of three different approaches to All Of Me changes 20:30 – Embellishing guide tone lines: traditional vs. organic approach examples 25:38 – Melodic improvisation based on an organic approach 26:45 – All Of Me transcription introduction 30:28 – All Of Me transcribed solo with analysis Part III – Musical examples relating to Blues in F 32:02 – Blues in F examples (melody) 32:48 – Blues as chord scales 34:18 – Organic approach to the blues 37:18 – Blues Changing Tone Map/reduction 41:42 – Chord tones and voice leading 46:28 – Two roads to Rome Part IV – Musical examples relating to Stella By Starlight 48:11 – Stella By Starlight content introduction 49:12 – Stella By Starlight changes comparison 50:00 – Stella changes as chord scales 52:10 – Stella - The simplicity of the melody 55:05 – Stella – Harmonic analysis 57:48 – Stella – Organic approach 1:00:18 – Stella – Changing tone map 1:02:09 – Stella – Creating guide tone lines with changing tones and chord tones 1:06:27 – Stella – Introduction to annotated transcribed solo 1:08:42 – Annotated solo transcription 1:09:58 - Conclusion