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Krzysztof Penderecki (*23 November 1933 ~29 March 2020) https://en.wikipedia.org/wiki/Krzyszt... 'Dies irae', Oratorio for solo vocals, chorus and orchestra, 1967 00:00, I. Lamentatio /"Circumdederunt me funes mortis..." (Psalm 114) 10:27, II. Apocalypsis / "... et laquei inferorum supervenerunt mihi." (Psalm 114) 21:00, III. Apotheosis / "Absorpta est mors in victoria." (1. Korinther 15) Performers: Warsaw National Philharmonic Chorus & Orchestra Musical Direction: Antoni Wit Soloists: Lubańska, Anna (mezzo-soprano) Minkiewicz, Ryszard (tenor) Bręk, Jarosław (bass-baritone) "Krzysztof Penderecki composed Dies Irae (also known as Auschwitz Oratorio) for the international inauguration ceremony of the memorial to the murdered victims in Auschwitz- Birkenau on 16 April 1967. He chose Bible texts, quotations from the ‘Eumenides’ by Aischylos as well as contemporary Polish and French poems which he had translated into Latin (except for the Greek quotations) to provide them with timeless validity." (...) "The text draws on various literary sources: Psalm 114, the Apocalypse, Aeschylus’s Eumenides as well as poems by Broniewski, Aragon, Rózewicz and Valéry. (All the contemporary texts are translated into Latin while the Aeschylus fragments are sung in Greek.) The scoring is for very substantial orchestra with a large percussion section, though without violins, violas and clarinets, the latter being replaced by saxophones. The choral writing often uses divisions (up to 24 parts at times) and mixes song, speech and chant with a variety of unusual vocal effects, as it did in the masterly St. Luke Passion. Dies Irae may well be an occasional piece, but it is nevertheless a substantial work as well as a deeply-felt statement." #MUSIC_ANTI_WAR____#SLAVA_UKRAYNI 💙💛 -