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Christian Boltanski is one of France’s foremost artists whose installations challenge basic assumptions of what constitutes an artwork. Since the 1960s, he has worked with the ephemera of daily life and human experience, from obituary photographs to rusted biscuit tins, to examine the transitory nature of our life on earth. He employs lights, candles, shadows, and imagery of death in a body of work that is about memory and loss and the relation between life, death, and art. A central theme in Boltanski’s work is that every moment of our lives is transformed into a past that is as definitive as death. He is interested in the universal transience of the individual and the role of memory to conserve lived experience. Presented in partnership with the Museum of Contemporary Photography at Columbia College Chicago.