Chadar Ho Gayi Bahut Purani | Kabir Bhajan | Vidushi Dr. Ashwini Bhide Deshpande скачать в хорошем качестве

Chadar Ho Gayi Bahut Purani | Kabir Bhajan | Vidushi Dr. Ashwini Bhide Deshpande

Beautiful mixture of divine lyrics by Saint Kabir and divine voice.Heart touching Kabir Bhajan performed by Vidushi Dr. Ashwini Bhide Deshpande. ______________________________________________________ Raga: Raga Bhairav Bhajan: Chadar Ho Gayi Bohot Purani Taal: Keharawaa Lyrics: Saint Kabir Das Composer: Dr. Ashwini Bhide Deshpande Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tanpura and Vocal Support: Smt. Shivani Haldipur Kallianpur Smt. Megha Bhatt Smt. Sveta Hattangdi Kilpady Tabla: Pt. Vinod Lele Harmonium: Siddhesh Bicholkar ______________________________________________________ 📝Lyrics: चादर हो गयी बहुत पूरानी, अब तो सोच समझ अभिमानी ॥ अजब जुलाहा चादर बिनी, सूत करम की तानी । सुरत निरत का भरना दिना, तब सबके मन मानी ॥ मैले दाग पडे पापन के, विषयन में लिपतानी । ज्ञान का साबुन लायिके धोयी, सतसंगत के पानी ॥ शंका मानो मत दिल अपने, है यह वस्तु विरानी । कहे कबीर यहि राखो यतन से, नही फिर हाथ में आनी ॥ ____________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________