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BlackCurtain Reimagined (2025)

BLACKCURTAIN – DEBUT ALBUM (REIMAGINED) 25 Years Later. Still No Interest. This album first appeared a quarter of a century ago, unannounced, underfed, underfunded, and deeply uninterested in participating in whatever was being sold as music culture at the tail end of the 20th century. It wasn’t launched. It wasn’t marketed. It wasn’t “positioned.” It simply existed, which at the time felt vaguely illegal. Recorded across various flats, garages, rehearsal rooms, and other barely functional spaces in Manchester throughout 1999, the original BlackCurtain debut was never meant to last. It was meant to happen, irritate a handful of people, confuse a few more, and then disappear under the weight of its own refusal to behave. That it survived at all is either a clerical error or a cosmic joke. BlackCurtain were a masked trio with no interest in being part of a dying industry run by soulless, clueless morons. This was not rebellion as branding, not chaos with a press shot, not danger repackaged as “edge.” This was avoidance. A deliberate sidestep away from the fame-hungry indie ecosystem that thrived on mutual back-patting, borrowed authenticity, and the shared fantasy that anyone involved was doing something important. From the outset, BlackCurtain had no interest in the trappings of fame. The wigs, the costumes, the pantomime gestures toward “rock history,” the fetishisation of youth, poverty, and credibility — all of it was mocked, parodied, and quietly rejected. Not out of purity. Not out of ideology. Simply because it was boring. What followed, as predicted with grim accuracy, were the nostalgia years. An entire generation of once-interesting bands slowly embalmed while still breathing. Influencers before the word existed, now paraded as heritage acts. Carcasses wheeled out in ill-fitting clothes, badly advised fashion choices, and worse-fitting wigs. Men who once sneered at orchestras now drowning their songs in them. Everything swelling. Nothing saying anything. Bland, orchestra-driven drivel poured out while the same tired anecdotes were retold: the gig where it “all went off,” the label meeting that “changed everything,” the tour that “nearly killed us.” Rock ’n’ roll legitimacy recited like a prayer, as if repetition might restore relevance. Somehow, miraculously, avoiding being hooked off stage and bludgeoned into silence by the audience they were supposed to inspire. This was the start of every band wanting to sound like a tin of beige. Careerism replaced curiosity. Longevity replaced danger. Everyone aspiring to outlast Cliff Richard, clinging to relevance like a pension plan. A slow crawl toward pier-end residencies, cathedral funerals, and the distant hope of a statue or a blue plaque reading: “ONCE INTERESTING. NOW SAFE.” This is not the way of the Curtain. BlackCurtain never broke up because breaking up implies investment. There was no comeback to plan, no legacy to protect, no audience to reassure. The album simply sat there, ageing badly in the best possible way, quietly resisting reinterpretation, remastering, anniversary box sets, or heritage-act embalming. Until now. This reimagined version of the debut is not a celebration. It is not a tribute. It is not a victory lap. It is not a nostalgia exercise designed to make anyone feel young again, or worse, relevant. It exists because the original still had teeth, and those teeth deserved sharpening rather than polishing. The songs have been pulled apart, rewired, stripped, rebuilt, and occasionally left to rot on purpose. Some have been dragged closer to what they were always threatening to become. Others have been deliberately sabotaged to prevent sentimentality from taking hold. Fidelity was never the point. Memory was never trusted. If you’re here hoping for a respectful restoration, you are in the wrong place. If you’re here to hear something familiar made uncomfortable again, welcome. TRACK LISTING 00:00 Manifesto For A Black Curtain 06:18 Can’t Help It I’m Lazy 11:31 Beauty Of Sadness 17:27 Constitutional Breakdown 21:17 Dueling Digits 23:52 Heat Haze 27:40 Hara-kiri Bones 30:39 Snarling Horses 37:13 Mainline Slaughter Express Produced by: BlackCurtain No external saviours. No heritage consultants. No legacy engineers smoothing out the corners. The same instinct that made the original now older, less impressed, and significantly less polite. This album does not ask permission. It does not want approval. It does not care if you were there the first time or arrived five minutes ago. If you like it, fair do’s. If you don’t, f*** off. Simple

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