Mikael Tariverdiev Микаэл Таривердиев - Love Sonnet / Люблю | Igor Sirotinsky, guitar скачать в хорошем качестве

Mikael Tariverdiev Микаэл Таривердиев - Love Sonnet / Люблю | Igor Sirotinsky, guitar

Mikael Tariverdiev - Love Sonnet from a Soviet film titled "Adam zhenitsya na Eve", 1980. Микаэл Таривердиев: Люблю... (из к\ф Адам женится на Еве) | аранжировка - Игорь Сиротинский. 𝙔𝙤𝙪 𝙘𝙖𝙣 𝙥𝙪𝙧𝙘𝙝𝙖𝙨𝙚 𝙩𝙝𝙚 𝙨𝙝𝙚𝙚𝙩 𝙢𝙪𝙨𝙞𝙘 𝙗𝙮 𝙚𝙢𝙖𝙞𝙡𝙞𝙣𝙜 𝙖 𝙧𝙚𝙦𝙪𝙚𝙨𝙩 𝙖𝙩 𝙞𝙜𝙤𝙧𝙨𝙞𝙧𝙤𝙩𝙞𝙣𝙨𝙠𝙮(𝙖𝙩)𝙜𝙢𝙖𝙞𝙡.𝙘𝙤𝙢 Recorded at Villa Overfeldt, Ghent, Belgium. Camera: Wim Vandekerckhove. The Millionaires' Quarter Series is a project in collaboration with Villa de Bondt (www.villadebondt.be) and Wim Vandekerckhove where we merge music with the multifaceted architecture of the Millionaires' Quarter District in the Belgian city of Ghent. Villa Overfeldt is a house in art deco style designed by Oscar Vandenhoeck and was built in 1927. The Villa is therefore one of the earliest realizations in the Millionaires Quarter. Not only the house but also its stained glass windows and furniture were designed by the architect himself. The facade of the villa has a symmetrical structure with the entrance in the center, a polygonal window, and corner turrets on the sides. The combination of the angular forms with a varied use of brick, plaster, and stained glass creates a playful whole. The side facades were decorated in a similarly dynamic manner with window openings, wrought iron, and stained glass. The rear façade was heavily remodeled with the extension of modern living space in the garden. The central corridor was flanked by two rooms (now practice and waiting room, where the video was recorded) separated by a stepped arch on the left, and three rooms (practice, tiled room and old dining room) on the right. The porch is finished with marble along the walls and a black and white ceramic floor. Black wooden triangle motifs with infill glass are embedded in the wooden handrail. The Art Deco-style marble fireplace mantles were preserved throughout. The property is set in the Millions Quarter (Miljoenenkwartier) with the view on a small park called Paul de Smet de Naeyerplein, and separated from the street by a wrought iron fence on a brick base. The Millionaires’ Quarter is a unique district in the Belgian City of Ghent. In 1913, Ghent was completely devoted to the last World Exhibition before the first World War. The exhibition was held on terrains close to the Sint-Pieters train station. After WWI, the terrain was developed with houses and luxury apartments for the rich, hence the name of the quarter: "Miljoenenkwartier" (neighbourhood for those who have millions to spend). It was here that leading architects from the inter-war period built some of their most prestigious projects. Many of them also owned houses here as a showcase. From eclectic Belle Epoque mansions, reflecting the pré-War architecture to modernistic houses. Despite its diverse building styles, the area nevertheless radiates its own unique sort of unity. The Millionaires’ Quarter, home of the rich locals, has been protected as a cityscape since 1994. About the Composer. “Like Surf-Rock Shostakovich… think a Soviet Gainsbourg whose vowel sounds will convince you that Russian is the only language for singing about love” The Guardian Despite being virtually unknown outside of his native Russia, composer Mikael Tariverdiev was nothing if not a tour-de-force. His repertoire includes scoring for successful cult TV films ‘Seventeen Moments Of Spring’ a 1973 twelve-part Soviet television series based on the novel of the same title by Yulian Semyonov and the romantic comedy ‘The Irony Of Fate’ (1976), one of the most famous and popular Soviet television productions ever made. Although cinema and music was the root of Mikael’s passion he also enjoyed creating alternative styles of dialogue with his audience; choosing to go against the formality of the Soviet musical academic establishment. Tariverdiev scored over 130 films during his lifetime, also writing classical music for more than a hundred romances, ballets, operas and chamber vocal cycles. He received many awards for his work including 18 international prizes; the American Music Academy’s award (1975), three Nika awards for the best film scores of the year, USSR State Prize (1977), the Lenin Konsomol prize (1977) and the title of People’s Artist of Russia (1986). Aside from writing music he also went on to be Head of the Composers’ Guild Of Soviet Cinematographer’s Union.