How To Play Necromancer’s Theremin 420 reading - Chase Griffin скачать в хорошем качестве

How To Play Necromancer’s Theremin 420 reading - Chase Griffin

https://shop.maudlinhouse.net/#necrom... Book summary- Between the pages of an ever-shifting eternal text known as the Patasphere, a coven of psychedelic fiction fanatics and a duo of agents working for a private intelligence firm known as The Geist, LLC navigate their ways simultaneously through a labyrinthian pilgrimage to the ole haunts of their favorite thoughtform, a cult classic weird fiction author named Rocco Atleby, who may or may not be both creator and destroyer of their world. Along the way, the coven and the duo encounter undulating tentacles, a magickal Parisian apartment, gobs and gobs of gooey living information known as plasmate, a smoke-filled Rocco-themed bar, the inexplicably resurfaced lost footage of a Rocco docutainment film, a music festival that evolves into an amorphous megabeast, and skeleton keys to the secrets of their Actuality in the form of enigmatic pieces of Rocco Atleby's iconography Notable blurbs- "How To Play A Necromancer’s Theremin is a joyful, head spinning thrill ride through the past, present, and future. This book sings, dances, and plays music. Take a little bit of Naked Lunch, add the The Hitchhiker’s Guide To The Galaxy filtered through William Gibson, Robert Anton Wilson, and Philip K. Dick, and toss it with some Adult Swim and Nickelodeon mixed with The Stooges, Nirvana, and Radiohead and you’ll get this brand new thing from Chase Griffin and Christina Quay. This wonderful book is about reading, writing, and words, and we need them now more than ever." -Pat Irwin of The B-52s and the Rocko's Modern Life score "How do you like your metaphors mixed? This work of psy-fi docutainment, best ingested by first grinding it into Bookpowder, follows Rocco Atleby’s kudzu plots in the pursuit of fluctuation on the horizon of the Patasphere. Flitting and flirting with spacetimeconsciousness dimensionzzzzz, deep down, heinleined under there somewhere, Chase Griffin and Christina Quay have committed some really serious satire. So pack your pestle and mortar and get ripping!" -Roy Christopher, author of Dead Precedents and Escape Philosophy "In an era transfixed by categorization, there is marked mischief in material that sets out to subvert entire concepts. How To Play A Necromancer’s Theremin (Maudlin House, 2023) is a joint project undertaken by Chase Griffin and Christina Quay. We are in the province of especially weird fiction here. At once an existential lark into mind expansion and a bamboozlement of ideas presented via advanced stonerism, the book whizzes through its lessons with the fervor of the prankster. The wildness of the ride veers from wowza deconstruction to laidback swingin’ on the flippity-flop. Upon finishing the novel, I felt as if I’d hit the ejector seat button on a carousel, afraid to look back in case the merry-go-round wasn’t there." -Rebecca Gransden of X-Ray "A group of Florida stoners tour France to visit the apartment of an obscure psychedelic sci-fi writer called Rocco Atebly, who not only was a necromancer, and played the theremin like a champ, but created an apocalyptic, device called Fat Tornado Clock, that messes with other dimensions and layers of reality. Chase Griffin and Christina Quay’s novel is not a puzzle, but some esoteric kind of improv that explores Borges’ thesis on causality as the main problem of the literary arts. This narrative seeks to transcend the giant dead whale of postmodernism without undoing any of its promethean conclusions, driven by a passion that fears no ironic judgment. You may have seen a dime-a-dozen indie lit psychedelia writers exploring and at the same time ironizing their very quest to better understand their world, yet this hysterically silly and viscerally paranoid work of metafiction tries its dang hardest to sketch the blueprint of the authors’ still beating hearts: something that no posers can ever do. Maybe you read people who have read Foster Wallace, Vonnegut, Pynchon and Wittgenstein before, but trust me, you have not read Florida’s finest freaks’ meditations on the nature of reality, nor their musings over the consequences of this never-ending human quest for transcendence and authentic, spíritually meaningful living in our techno-infused carnival of political horrors called early 21th century late-capitalism." —Kelvin Matheus Rosa, English literature researcher, writer and teacher from Brazil