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Art Blakey - drums, piano, vocals Terence Blanchard - trumpet Freddie Hubbard - trumpet Brian Lynch - trumpet Benny Golson - tenor sax Wayne Shorter - tenor sax Javon Jackson - tenor sax Donald Harrison - alto sax Jackie McLean - alto sax Frank Lacy - trombone Curtis Fuller - trombone Michele Hendricks - vocals (Mr. Blakey) Walter Davis, Jr. - piano Geoffrey Keezer - piano Essiet Essiet - bass Buster Williams - bass Roy Haynes - drums Track List: A La Mode 58:25 Along Came Betty 41:15 Blues March 01:33:25 Core 18:23 Happy birthday 01:20:30 Lester Left Town 50:55 Moanin' 29:00 Moten swing 01:25:17 Mr. Blakey 01:15:00 Thelonious 01:22:50 Two of a Kind 00:00:52 Review: 1. Art Blakey and the 1989 version of his Jazz Messengers celebrated the drummer's 70th birthday with a special concert featuring notable alumni. 2. The concert included trumpeters Freddie Hubbard and Terence Blanchard, altoists Jackie McLean and Donald Harrison, tenors Wayne Shorter and Benny Golson, pianist Walter Davis Jr., and trombonist Curtis Fuller. 3. The British concert was recorded and released as a single CD, although some fans might have wished for the entire performance to be available. 4. Wayne Shorter's performance on "Lester Left Town" is a standout on the album, showcasing his skills in this setting. 5. The video also features versions of "Along Came Betty" and "Blues March" with short solos from various musicians, allowing each player to shine. 6. Michele Hendricks joins the band to sing Horace Silver's lyrics on "Mr. Blakey," adding a vocal element to the performance. 7. Renowned drummer Roy Haynes guests on "Blues March," playing second drums alongside Art Blakey. 8. The CD concludes with a fascinating 13-minute interview from 1976, where Mike Hennessey talks to Art Blakey about the early days of the Jazz Messengers. 9. Overall, the concert is a valuable addition to any jazz enthusiast's collection and offers a glimpse into the talent and legacy of Art Blakey and his Jazz Messengers. Check out some of my most popular transcriptions, featuring the legendary Sonny Rollins https://u.to/6ctDGw (tenor sax) John Coltrane https://u.to/HmlDGw Chris Potter https://bit.ly/2CF2ldP Marcus Strickland https://u.to/iJ5FGw Josué Lopez https://bit.ly/2YtLfZC Phil Woods https://u.to/IFdDGw Baptiste Herbin https://bit.ly/2CE80RB (alto sax) Kenny Garrett https://u.to/xfT7GQ Eric Marienthal https://u.to/zWhDGw Paul Desmond https://u.to/iWNDGw Dmitry Baevsky https://bit.ly/2Ua9ahI - - - - - - - Kenny Barron https://u.to/unU8Gw Bud Powell https://bit.ly/2Yn5GaR Peter Bernstein https://bit.ly/2HW9YQO - - - - - - - Benny Goodman https://u.to/eJZFGw Eddie Daniels https://u.to/Yz0IGw Paquito D'Rivera https://bit.ly/2mwaLfh (clarinet) Anat Cohen https://u.to/jBZtGQ Ademir Junior https://bit.ly/2UWWgAz All Transcriptions https://bit.ly/2vAeduk (Youtube Playlist) with the possibility of performing on a variety of instruments. 1. Art Blakey's drumming style was characterized by its constant drive and intensity. He infused his playing with an infectious energy that propelled the music forward. 2. Mastery of the ride cymbal: Blakey's distinctive approach to riding the cymbal created a mesmerizing rhythm that served as the foundation of the music. His ability to produce a wide range of tones added depth and color to his playing. 3. African rhythmic influences: Drawing from his heritage, Blakey incorporated elements of Afro-Cuban and West African rhythms into his drumming. This fusion of rhythms added a unique and pulsating energy to his music. 4. Mentorship and collaboration: Blakey was known for nurturing young talent and creating a collaborative environment. His band, The Jazz Messengers, served as a training ground for budding musicians, encouraging them to experiment and grow as artists. 5. Explosive technique: Blakey's drumming showcased incredible speed, power, and dexterity. His solos were a display of virtuosity, featuring lightning-fast fills, rapid rolls, and thundering crescendos. 6. Unique use of the press roll: Blakey added accents and inflections to his press rolls, creating a sense of tension and anticipation in his drumming. This technique added a dramatic effect to his playing. 7. Musicality: While technically impressive, Blakey's solos were also highly musical. He incorporated rhythmic surprises, inventive phrasing, and a strong sense of swing into his playing, creating a captivating musical experience. 8. Leadership and inspiration: As a bandleader, Blakey had a transformative impact on the musicians he worked with. His leadership style encouraged artistic expression and pushed his band members to explore their creative potential.