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Jacob Collier has a very impressive ability to work with and sing micro-tones. In this video I look at an arrangement of his where the piece transposes mid-song from E major, to G half-sharp. It's quite mind-boggling. ⦿ Support the Channel on Patreon⦿ / davidbruce ⦿ Follow me on Twitter⦿ / davidbruce ⦿ Follow me on Instagram⦿ / davidbrucecomposer ⦿David Bruce Composer Spotify Playlist⦿ https://tinyurl.com/y798swcy ⦿My 2nd YouTube Channel⦿ / @dbc2 #jacobcollier #microtonality #inthebleakmidwinter June Lee's Transcription of In the Bleak Midwinter: • Jacob Collier - In the Bleak Midwinte... June Lee's Interview Part 1: • Interview: Jacob Collier (Part 1) Part 2: • Interview: Jacob Collier (Part 2) Part 3: • Interview: Jacob Collier (Part 3) Masterclass at NEMPLA Part 4: • Jacob Collier: Masterclass en NEMPLA ... Part 3: • Jacob Collier Masterclass en NEMPLA -... Part 2: • Jacob Collier: Masterclass en NEMPLA ... Part 1: • Jacob Collier Masterclass en NEMPLA -... Songs Jacob Collier: In the Bleak Midwinter • In The Bleak Midwinter - Jacob Collier Jacob Collier: With the Love in My Heart Jacob Collier: The Road Not Taken • The Road Not Taken - Jacob Collier EDIT: During my explanation for the final A minor 9 chord I slightly mis-characterised the idea of the stacked 5ths above the A. In this case, the 5ths are actually 2 cents more (not 5 less as I stated) than the 'natural' tuning. Jacob used this to make the B itself higher this time, rather than making the chord beneath it move up. Sorry for the confusion, as I said, this stuff it complicated!