Peer Gynt - Morning & Fine Art скачать в хорошем качестве

Peer Gynt - Morning & Fine Art

𝐓𝐡𝐚𝐝𝐝𝐚𝐞𝐮𝐬 𝐅𝐢𝐧𝐞 𝐀𝐫𝐭 & 𝐌𝐮𝐬𝐢𝐜 🎵 𝐄𝐧𝐣𝐨𝐲 𝐭𝐡𝐞 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥 𝐦𝐮𝐬𝐢𝐜 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐦𝐚𝐫𝐯𝐞𝐥𝐨𝐮𝐬 𝐟𝐢𝐧𝐞 𝐚𝐫𝐭! 🎨 If this video brought you joy ✨, be sure to like 👍, subscribe, and hit the notification bell 🔔 so you never miss a moment of artistic magic. Thanks for watching and supporting the creative journey! 🎶🖼️ 🌟 🎶 𝐌𝐮𝐬𝐢𝐜: 𝐄𝐝𝐯𝐚𝐫𝐝 𝐇𝐚𝐠𝐞𝐫𝐮𝐩 𝐆𝐫𝐢𝐞𝐠 𝟎𝟎:𝟎𝟎 𝐄𝐝𝐯𝐚𝐫𝐝 𝐆𝐫𝐢𝐞𝐠 – 𝐌𝐨𝐫𝐧𝐢𝐧𝐠 𝐌𝐨𝐨𝐝, 𝐏𝐞𝐞𝐫 𝐆𝐲𝐧𝐭 𝐒𝐮𝐢𝐭𝐞 𝐍𝐨. 𝟏, 𝐎𝐩. 𝟒𝟔 performed by: Czech National Symphony Orchestra (Musopen Symphony) Source: Musopen 🎹 𝐄𝐝𝐯𝐚𝐫𝐝 𝐆𝐫𝐢𝐞𝐠’𝐬 “𝐌𝐨𝐫𝐧𝐢𝐧𝐠 𝐌𝐨𝐨𝐝” 𝐟𝐫𝐨𝐦 𝐏𝐞𝐞𝐫 𝐆𝐲𝐧𝐭 𝐒𝐮𝐢𝐭𝐞 𝐍𝐨. 𝟏, 𝐎𝐩. 𝟒𝟔 𝐢𝐬 𝐚 𝐬𝐡𝐨𝐫𝐭 𝐨𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚𝐥 𝐭𝐨𝐧𝐞‑𝐩𝐢𝐜𝐭𝐮𝐫𝐞 𝐨𝐫𝐢𝐠𝐢𝐧𝐚𝐥𝐥𝐲 𝐰𝐫𝐢𝐭𝐭𝐞𝐧 𝐢𝐧 𝟏𝟖𝟕𝟓 𝐚𝐬 𝐢𝐧𝐜𝐢𝐝𝐞𝐧𝐭𝐚𝐥 𝐦𝐮𝐬𝐢𝐜 𝐟𝐨𝐫 𝐇𝐞𝐧𝐫𝐢𝐤 𝐈𝐛𝐬𝐞𝐧’𝐬 𝐩𝐥𝐚𝐲; 𝐢𝐭𝐬 𝐬𝐢𝐦𝐩𝐥𝐞, 𝐩𝐞𝐧𝐭𝐚𝐭𝐨𝐧𝐢𝐜 𝐟𝐥𝐮𝐭𝐞 𝐦𝐞𝐥𝐨𝐝𝐲 𝐚𝐧𝐝 𝐥𝐮𝐦𝐢𝐧𝐨𝐮𝐬 𝐨𝐫𝐜𝐡𝐞𝐬𝐭𝐫𝐚𝐭𝐢𝐨𝐧 𝐡𝐚𝐯𝐞 𝐦𝐚𝐝𝐞 𝐢𝐭 𝐨𝐧𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐨𝐬𝐭 𝐢𝐧𝐬𝐭𝐚𝐧𝐭𝐥𝐲 𝐫𝐞𝐜𝐨𝐠𝐧𝐢𝐳𝐚𝐛𝐥𝐞 𝐞𝐯𝐨𝐜𝐚𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐝𝐚𝐰𝐧 𝐢𝐧 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐫𝐭 𝐫𝐞𝐩𝐞𝐫𝐭𝐨𝐢𝐫𝐞. “Morning Mood” (Norwegian: Morgenstemning) began life as part of the incidental music Grieg composed for Ibsen’s drama Peer Gynt in 1875, and Grieg later selected and arranged several numbers into two concert suites, the first of which opens with this movement. The piece is written in E major, set in 6/8 time with the tempo marking Allegretto pastorale, and typically lasts about three and a half to four minutes in performance. Its principal theme is built on a pentatonic scale and is passed between flute and oboe over a gently undulating accompaniment of strings and horns; the orchestration also includes clarinets, bassoons, trumpets and timpani, all used to color the pastoral scene rather than to create dramatic tension. The movement’s formal and expressive economy—an early, bright forte that suggests the sun breaking through—gives it a pictorial clarity that translates easily from stage to concert hall. Edvard Hagerup Grieg was born on 15 June 1843 in Bergen, Norway, and died there on 4 September 1907. He is widely regarded as the leading Norwegian composer of the Romantic era and a central figure in the development of a national musical voice that incorporated elements of Norwegian folk melody and rhythm into the idiom of nineteenth‑century European art music. Grieg’s output ranges from intimate piano miniatures—most famously the Lyric Pieces—to songs, chamber works and orchestral pieces; the Peer Gynt music remains his most internationally familiar contribution and exemplifies his gift for melodic immediacy and atmospheric orchestration. Grieg’s home, Troldhaugen, is preserved as a museum and stands as a testament to his cultural importance in Norway. The enduring popularity of “Morning Mood” rests on several factors: its immediate pictorial effect, the accessibility of its pentatonic melody, and its adaptability outside the theatre—film, radio and educational contexts have repeatedly used the movement to signify dawn, pastoral calm or gentle awakening. Musically, it demonstrates Grieg’s skill at distilling a vivid scene into a compact orchestral vignette, using transparent textures and a memorable tune rather than extended developmental procedures. Scores and parts for the suite are widely available in public‑domain editions, and the movement continues to appear in recordings and concert programs worldwide. 🖼️ 𝐏𝐚𝐢𝐧𝐭𝐢𝐧𝐠𝐬 & 𝐀𝐫𝐭: “Cliff Walk at Pourville (1882)” - Claude Monet (1840–1926) // Courtesy of the Art Institute of Chicago “Poppy Field (Giverny) (1894)” - Claude Monet (1840-1826) // Courtesy of the Art Institute of Chicago “Yosemite Valley, Glacier Point Trail (ca. 1873)” - Albert Bierstadt (1830–1902) // Courtesy of the Yale University Art Gallery “The Harbor at Lorient (1869)” - Berthe Morisot (1841 - 1895) // Courtesy of the National Gallery of Art “Mt. Ktaadn(1853)” - Frederic Edwin Church (1826–1900) // Courtesy of the Yale University Art Gallery “Sudden Shower, Newbury Marshes (ca. 1865–75)” - Martin Johnson Heade (1819–1904) // Courtesy of the Yale University Art Gallery Thumbnail: Edvard Grieg; photographic positive, B&W Source: Wikimedia Commons; original from Flickrs The Commons