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Christopher Tellefsen, feature film editor for over 40-plus films, and who was nominated for an Oscar for “Moneyball,” and who also cut other major films, like last year’s Oscar-nominated “Nyad,” takes David behind the scenes, most literally, as he explains his method for choosing one take over another to sew a film together; one that matches the filmmaker’s vision. Tellefsen also explains to Host Glass how the editing process works from start to finish; what his editing process and schedule are like day-to-day and gives other interesting commentary on living out the filmmaker’s intent. He also reveals the most favorite scene he ever edited: a 90s classic comedy, “Flirting with Disaster.” Tellefsen also takes a moment to share a little bit about his new project, a musical, “Atlantis,” based on music genius, Pharell Williams. If you’ve ever wondered what an editor feels when cutting a film, you’ll be drawn in with the Tellefsen/Glass discussion. Host Glass thinks after watching a Christopher Tellefson film, or any other, you will come to really appreciate the effort that goes into taking footage and stringing it together to make a continuous story. Chances are when watching this Episode, you will never watch a film quite the same way again! Christopher Tellefsen is engaging and sharp as he shares information you will only see on this podcast! Watch this and all other 'The HourGLASS Podcast' episodes at ► thehourglasspodcast.com Check out David's channel and subscribe here ► @thehourglasspodcast