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Tema cinco del álbum “Black energy”, editado por Planet Mu. Jlin es Jerrilyn Patton. Créditos: Música creada y producida por Jerrilyn Patton. Masterización – Beau Thomas Masterizada en Ten Eight Seven Mastering Portada – Spencer Shakespeare Funda – Fabian Harb Jlin sobre “Dark energy”: ““This album took my entire life to make,” explains the Gary, Indiana producer. “Every moment in my life lead up to this album. My musical sense of expression comes from sadness, and anger. I can’t create from a happy place. It seems pointless in my opinion. I don’t make the tracks as much as I feel them. Creating for me is about feeling and impact.” Y lo que dice Pitchfork del álbum: "A bunch of these song titles [se refiere a las canciones de “Dark energy”] also invite loose contemplation on narratives of blackness, and/or racialized peoples. "Black Diamond" and “Black Ballet” scan more literally, whereas songs like “Guantanamo,” “Ra” and “Mansa Musa” prompt ideas about history, mythology, imprisonment, culture wars and a clash of civilizations. Jlin doesn’t editorialize, and this record isn’t specifically about identity politics. But she’s from Gary, a blue collar, black-majority city, making a record within a genre created for and by African-Americans at a time when the non-white citizenry is growing increasingly restless and hella loud about owning its art and likeness, its safety and life expectancy. Dark Energy has absorbed some of the shock. It has knowledge of self. Throw it onto the list of recent albums, like Heems’ Eat Pray Thug and Kendrick Lamar’s To Pimp A Butterfly, that take personal, political and temporal stock of our lives and refuse to be one-dimensional in chronicling these experiences.” (https://pitchfork.com/reviews/albums/...)