Pipeloops Virtual Organ Concert #3 with Christoph Keller скачать в хорошем качестве

Pipeloops Virtual Organ Concert #3 with Christoph Keller

This is the third in our series of virtual organ concerts performed using sample sets produced by Pipeloops. Today's artist Christoph Keller : http://www.christophkeller.org Christoph Keller studied at the Saarland University of Music with Andreas Rothkopf and André Luy, where he passed the church music B examination, the state diploma for music education and the artistic concert qualification in organ. Further studies followed at the Karlsruhe University of Music, where he passed the state examination as a cantor (church music A, today "Master"), and in Paris with Daniel Roth. Christoph Keller passed all exams with highest marks. He has worked as a church musician and cantor since 1986, with his last position from 2011-2014 at the pilgrimage church of St. Lutwinus in Mettlach (Saar), where he acquired a high-pressure tuba from the English organ builder John Compton, which was installed in the Mettlach organ. During his time as a church musician until 2015, Christoph Keller was very active as a concert organist, his concert tours taking him as far as the USA, where he made his debut in 2008. His repertoire includes organ music from all eras, with a focus on the complete organ works of Bach, Franck, Vierne, Duruflé and Whitlock. After an artistic break of six years, Christoph Keller is back as a concert organist with this concert for Pipeloops. Program: Johann Sebastian Bach (1685-1750): Choral partita "Sei gegrüßet, Jesu gütig", BWV 768 With its 11 variations, the chorale partita "Sei gegrüßet, Jesu gütig" is one of the master's most important and valuable organ works. He probably began composing it as early as 1705 during his time in Arnstadt, inspired by the variation style of Georg Böhm and/or Dietrich Buxtehude. After variations 1-2, 4 and 10, the other variations, which undoubtedly reveal Bach's pronounced mastery, probably date from the Weimar period. Bach organ Regensburg, https://www.pipeloops.com//product_in... Louis Vierne (1870 -1937): Allegretto op. 1 Louis Vierne's first organ work, composed in 1894, shows the full extent of the admiration Vierne must have had for his teacher César Franck. The entire piece of music is so inspired by Franck that one sometimes believes it was composed by Franck himself. The melodious design of the canon in the middle is entirely in the spirit of the canons that Franck liked to use so much in his works. Vleugels organ Chemnitz, https://www.pipeloops.com//product_in... Sigfrid Karg-Elert (1877-1933): Sonatine in A minor, op. 74 Karg-Elert's huge "Sonatine" from 1909 is one of his most important organ works and of German Romanticism in general. The title seems strange: the 2nd movement alone comprises 272 bars in its expansive architecture! In the first movement, the "Allegro moderato", the music changes its expression, form and mood practically every 4-8 bars, reflected both in changing tempi and in frequent stop changes. The 2nd movement is particularly interesting, with variations on a chaconne theme which is clearly based on the classical "La Follia" from the 16th century. In the spirit of this model, this 2nd movement also appears somewhat "crazy", if only because of the triple fugue, each of whose individual themes seems curious in itself. Walcker organ Papenburg, https://www.pipeloops.com/product_inf... Louis Vierne (1870 -1937): Allegro vivace from the 1st Symphony, op. 14 Louis Vierne composed his 1st Symphony in 1900, when he was already a pupil of Charles-Marie Widor. In the same year, Widor had already completed his 10th Symphony. Vierne was thus at the transition to the next epoch, the beginning of the 20th century. Similar to Vierne's Allegretto op. 1, one thinks one hears a reminiscence of Franck in the melodic middle section of this moving piece, as in many other parts of the symphony, especially in the finale. In terms of form, the "Allegro Vivace" is a kind of scherzo in double meter, which conjures up a very special mood with its chromatic yet clear harmonies. Vleugels organ Chemnitz César Frank (1822 -1890): 3rd chorale, A minor The three famous chorales (E major, B minor and A minor) represent Franck's monumental late work and the conclusion of his organ oeuvre. If one considers the cycle as a large symphony in three movements, the E major chorale would be the first movement (moderato), the B minor chorale the slow second movement and the A minor chorale the moving, perhaps furious finale in the pianistic virtuosity preferred by Franck outside of the organ works; one only has to think of his chamber music, in particular the Piano Quintet in F minor. The third chorale more than reflects this facet of Franck's musical range. According to tradition, Franck himself began his A minor chorale in a moderate tutti and played it with virtuosity. Vleugels organ Chemnitz Organists interested in performing for this series please send me a message.