【HECTARE movie】彫刻家・増井岳人「piece / peace」ｘ HECTARE gallery скачать в хорошем качестве

【HECTARE movie】彫刻家・増井岳人「piece / peace」ｘ HECTARE gallery

HECTARE movie vol.7＿＿ ￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣ 増井 岳人 Taketo Masui － Solo Exhibition 「piece / peace」 2024.4.26ー5.26 ／ 13:00ー19:00 closed on Monday, Tuesday（※4月29日、5月6日の祝日は開廊） ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ 📍HECTARE 〒150-0047 東京都渋谷区神山町40-2 1F 1F 40-2 Kamiyama-cho, Shibuya-ku, Tokyo, 150-0047, JAPAN Instagram :   / hectare_gallery   Website : https://hectaregallery.com Facebook :   / hectaregallery   Threads : https://www.threads.net/@hectare_gallery ￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣ 《Artist profile》 －増井 岳人－ 1979年神奈川県生まれ、彫刻家。2001年に東京藝術大学美術学部彫刻科を卒業、2003年に東京藝術大学大学院美術研究科修士課程修了。主に土を使い陶器作品を発表をしている。近年の個展に増井岳人彫刻展/ギャラリーせいほう(2020)、Taketo Masui Solo Exhibition「good night」/スパイラル(2021)、Taketo Masui Solo Exhibition「NOW」/GALLERY 隙間(2022) －Taketo Masui－ Sculptor, born 1979 in Kanagawa, Japan. Masui graduated from the Department of Sculpture, Tokyo University of the Arts in 2001, and received his MFA from the Tokyo University of the Arts in 2003. He has been working ceramics mainly using clay. Recent solo exhibitions include TAKETO MASUI SCULPTURE EXHIBITION at Gallery SEIHO (2020), Taketo Masui Solo Exhibition “good night” at SPIRAL (2021), and Taketo Masui Solo Exhibition “NOW” at GALLERY Sukima (2022). ￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣ 《Exhibition contents》 増井氏は、素材自体が持つ原始的なエネルギーに魅せられ数々の彫刻作品を生み出してきました。その中でも増井氏の代名詞であり原点でもある「土」を駆使した作品は、愛くるしい佇まいでどこか親しみやすさを感じさせます。 本展では、増井氏が日本各地で縄文土器の破片を拾い集めその破片を組み合わせる事で生まれた立体作品「土偶坊」が展示されます。また土器の文様を用いてできた平面作品も同時に展示され、土器をキャンバスの裏に当て表面を鉛筆で擦る手法、フロッタージュにより制作されています。描かれているモチーフは現代においての平和のシンボル(ピースマークやハトなど)であり、仰々しくないユーモラスなイメージが増井氏の思い描く平和のあり方なのかもしれません。 その他に、過去に制作し未発表だった人差し指の折れたピースサインの彫刻「サウイフモノニワタシハナリタイ」。観る方向で意味合いが変化し、主体と客体の曖昧さを体験する事ができます。 争いがなかったと言われる縄文時代。約１万年前の縄文人が土と火を使いこなし形成した土器のカケラたちが、「平和」そして「豊かさ」とは何かと語りかけてくるようです。 Taketo Masui, fascinated by the primitive energy inherent in the materials themselves, has created numerous works of sculpture. Among these works, those that use “soil,” which is synonymous with Masui and his origin, evoke an endearing impression and a sense of familiarity. In this exhibition, Masui has collected fragments of Jomon ceramics from all over Japan and combined them to create three-dimensional works called “Dekuno-bo.” The “Dekuno-bo” look like clay figurines that have been reshaped and unearthed in the present-day. Furthermore, the seams formed when the ceramic pieces were joined together actually seem to prove the existence of the Jomon people. Also, the two-dimensional works made using ceramic patterns were created by frottage, a technique in which the ceramic is placed on the back of the canvas and the surface is rubbed with a pencil. The motifs depicted are contemporary symbols of peace (peace symbols, doves, etc.), and the humorous, not ostentatious imagery that perhaps represents Masui’s vision of peace. Another work on exhibit at the same time is “Sauifumononiwatashiwanaritai,” a sculpture of a peace sign with a broken index finger, which was previously created but has yet to be displayed. The meaning shifts depending on the angle of observation, allowing the viewer to experience the ambiguity between the subject and the object. The Jomon period is said to have been a period free from conflict. The fragments of ceramic formed by the Jomon people, who mastered the use of clay and fire about 10,000 years ago, seem to speak to us about the meaning of “peace” and “abundance.” ￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣ 撮影・編集：内田 俊太郎 Shuntaro Uchida ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ #HECTARE #artgallery #tokyo #shibuya #増井岳人 #TaketoMasui #sculptor #HECTARE_movie #interview