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I’ve been a huge fan of Paul Simon’s music ever since I first heard the opening chord sequence of “Scarborough Fair” and the way the vocals start expanding into majestic counterpoint. All the way from there, 20 years later, we arrive at a situation where a man’s contemplating why he’s soft in the middle when the rest of his life is so hard. He sings “I can call you Betty and Betty, when you call me, you can call me Al.” Paul Simon’s lyrics are something special to behold. I heard him talk about his process and one of the stages involved bouncing a ball against a wall and going over and over the words and phrases until they were just right—never settling for a cheap rhyme or solution. It shows, these are big league stories and big league lyrics. Next you add the melody and the chord moves which are a steep step up from three chord justice. Yet when he was into the Graceland album and the African influence he embraced three chords as if that’s all that mattered. Peter Sprague — guitar Allison Adams Tucker – vocals Tripp Sprague — sax and piano Justin Grinnell — bass Duncan Moore — drums video mixing by Steve Grant audio mixing by Peter Sprague livestream team: Stefanie Sprague and Brian Balthazor To check out the full YouTube livestream go here: • Live(ish) at SpragueLand Episode 22 Peter ... This song is also included in my Spotify / Apple Music release called “Spinning In Infinity — Peter Sprague Plays Paul Simon.” For more info on Peter Sprague and his recordings, please visit: www.petersprague.com I've got online video lessons going too at: http://www.openstudionetwork.com/jazz... Thanks for listening and watching!