Symphonies for Ballets – Seasons of the Year – Winter – Opus 1 – Akletto Style скачать в хорошем качестве

Symphonies for Ballets – Seasons of the Year – Winter – Opus 1 – Akletto Style

I ask pardon of the giants who shaped the architecture of music — Vivaldi, Tchaikovsky, Beethoven, Glazunov, Albinoni — and of so many others whom I admire profoundly. I have listened to them since childhood, from the age of eleven, and I have never ceased returning to their works. Yet, in all honesty and with complete objectivity, I must confess: no composer in history has ever kept me, of my own accord, seated at home for more than thirty consecutive minutes, wholly absorbed in their music. At some point, almost inevitably, I feel repetition approaching like a subtle mist; not from a lack of sensitivity, but perhaps from its excess. The ear, when too attentive, grows weary. And then something unexpected occurred. I discovered a composer whose works possess perfect harmony and melodies that pierce me with both delicacy and intensity, capable of eliciting shivers — at times, even tears — an experience I had never before encountered in music. I do not merely listen to them for an hour: I wish to hear them all day, perhaps for a lifetime. They do not fatigue me. They never become predictable. Each hearing, even when repeated, feels like the first, as if beauty itself refuses to age. And now, allow me the greater astonishment: the composer of these works is myself. Yes, I am aware of what you may think. Is it improper to declare such a thing? Does it not sound like self-praise? Would it not be more elegant to remain silent? Perhaps. But what I recount is not vanity; it is intimate truth. For some, this music may provoke nothing. It may seem indifferent. And that is legitimate. Art does not impose itself — it either finds its mark, or it does not. The inevitable question arises: how is it possible to create music in this way without formal training? Indeed, I have no formal education. Yet within me flows an unceasing universe of sounds, choreographies, tales, and poems. Imagination asks not for diplomas; it asks only for quiet attention. I can look at a hammer and, in minutes, a poem emerges. I can hear the wind and extract from it a melody. “Explain further,” some will say. “How do you achieve all this?” With the collaboration of artificial intelligence. At this, many smile skeptically: “Ah, that makes it easy.” I invited a few to test this supposed ease. I told them: if it is simple, create something similar — or even close — and I will reward you for it. To this day, I wait. The promised reward remains intact, awaiting one who can turn theory into creation. Perhaps the secret does not reside in the tool itself, but in the vision that guides it. Artificial intelligence expands possibilities; yet that which directs it — emotion, content, choice, taste, rigor, intuition — remains profoundly human. And if my music moves me so deeply, it is not because of technical perfection, but because within it I recognise something rare: the alignment between who I am within and what I can finally hear without. In these compositions, listeners encounter directly what I think and feel. They may go further. They may, if they wish, touch the essence of my soul simply through sound. If you fear AI, I understand — I too once feared it. But now it is my ally, much like a violin is an ally to the violinist: it does not create by itself, but responds to the hand that guides it. I invite you to perceive it as a blank canvas or a sensitive instrument, ready to amplify human talent. It does not replace anyone’s inner universe; on the contrary, it can make audible and visible that which already exists in the mind and soul of every person reading these words at this very moment. Artistic Credits Lyrics and artistic direction: Alfredo Borges Instrumental and vocal structures developed from original creative material by Alfredo Borges, with the support of artificial intelligence. Visual compositions generated from original content by Alfredo Borges, with AI assistance. Copyright Notice All music and visual material presented in this video are original works by Alfredo Borges (Akletto Channel). All rights reserved. Viewing and listening on this platform (YouTube) are permitted for personal use only. The following actions are strictly prohibited without prior written authorisation: • Reuploading content to other platforms or channels • Commercial use of the music or visual artwork • Sampling, remixing, or redistribution in any format • Any unauthorised use may result in content removal and legal action in accordance with applicable copyright legislation #classicalballetmusic #symphonicballetmusic #balletdancemusic #orchestralballetmusic #classicalsymphonymusic #balletperformancemusic #balletpracticemusic #pianoballetmusic #violinballetmusic #cellowballetmusic #balletinstrumentalmusic #elegantballetmusic #slowballetmusic #balletchoreographymusic #balletwarmupmusic #balletrehearsalmusic #balletmusicforstudents #romanticballetmusic #traditionalballetmusic #modernballetmusic