Georg Philipp Telemann - From: 12 Fantasias (1733) {Frans Brüggen} скачать в хорошем качестве

Georg Philipp Telemann - From: 12 Fantasias (1733) {Frans Brüggen}

Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the five main churches. Please support my channel: https://ko-fi.com/bartjebartmans 12 Fantasias for Solo Flute, TWV 40:2–13 (c. 1733) 1. Fantasia #1 in A major (0:00) 2. Fantasia #3 in B minor (4:08) 3. Fantasia #7 in D major (8:00) 4. Fantasia #8 in E minor (12:55) 5. Fantasia #10 in F-sharp minor (17:35) 6. Fantasia #11 in G major (22:43) Frans Brüggen, alto recorder Watch Fantasia #3 live performance here:    • Telemann - fantasie nr. 3 (Brüggen)   Telemann's 12 fantaisies à traversière sans basse, 12 Fantasias for Solo Flute, TWV 40:2–13, were published in Hamburg in 1732–33. An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso (Fantasias for Solo Violin). The set is one of Telemann's collections of fantasias for unaccompanied instruments, the others being a set of thirty-six for harpsichord [scores], also published in 1732–33, and two sets published in 1735: twelve for solo violin and twelve for viola da gamba. Telemann's solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: fugues (fantasias 2, 6, and 8–11), a French overture (fantasia 7) and a passacaglia (fantasia 5). In 2012, an arrangement for viola solo was published by Euprint. In this arrangement, through the use of double stops, some many-voiced parts appear as real polyphonic pieces. The collection is arranged by key, progressing more or less stepwise from A major to G minor. Telemann deliberately avoided keys that are impractical on the one-key flute, i.e. B major, C minor, F minor and F-sharp major. There are two ways to view the overall structure of the collection: one way, in which the work is divided into two parts, is suggested by the fact that Fantasia 7 begins with a French overture, indicating a start of a new section. This device was also later used by Johann Sebastian Bach in Variation 16 of his Goldberg Variations. Another was proposed by scholar Wolfgang Hirschmann: there are four modal groups of three fantasias: major-minor-minor, major-major-minor, major-minor-major, and minor-major-minor.