У нас вы можете посмотреть бесплатно Fikret Amirov - 12 Miniatures [No. 1,3,5,7,9,11] или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Fikret Amirov (1922, Ganja - 1984, Baku) was a prominent Azerbaijani composer of the Soviet period. In 1941, when Nazi Germany attacked the USSR, Amirov, 19 at the time, was drafted to the Soviet army. He was wounded near Voronezh, hospitalized and demobilized from the military service, returning to Baku to continue his studies at the Azerbaijan State Conservatoire. Amirov's music was strongly influenced by Azeri folk melodies. He created a new genre called symphonic mugam. Amirov's symphonic mugams were based on classical folk pieces and were performed by many renowned symphony orchestras throughout the world, such as the Houston Symphony Orchestra conducted by Leopold Stokowski. Amirov was a prolific composer. His most famous pieces include symphonic works such as "Shur" (1946), Kurd Ovshari (1949), "Azerbaijan Capriccio" (1961), "Gulustan Bayati-Shiraz" (1968), "The Legend of Nasimi" (1977), "To the Memory of the Heroes of the Great National War" (1944), "Double Concerto for Violin, Piano and Orchestra" (1948) etc. His ballets include "Nizami" (1947) and Arabian Nights, which premiered in 1979. Amirov wrote the opera "Sevil" in 1953. He also wrote a number of pieces for the piano including "Ballad," "Ashug's Song," "Nocturne," "Humoreska," "Lyrical Dance," "Waltz," "Lullaby" and "Toccata." He also wrote numerous film scores. In 1940, frequent musical nights and concerts were held in the Azerbaijan State Philharmonic Hall. Fikret Amirov took part in these concerts and became more familiar with the works of Western and Russian composers, and used their musical language. He also attended in the symphonic orchestra exercises. His pieces was built on folk traditions of Azerbaijan and Middle East. However, the folkloric elements can be identified in them whether they are Azerbaijani or Arabic, as in the case of his ballet “Arabian Nights,” his “Concerto on an Arabian Theme for the Piano and Orchestra” (together with Elmira Nazirova) and “The Song of the Blind Arab”. As the composer used to do a lot of research before starting his pieces, strong folkloric elements can be observed in his compositions. For example, prior to composing his ballet "Arabian Nights," he visited several Arabic countries-Iraq, Yemen and Egypt-and brought back tapes and records. His orchestral suites, based on the style of Azerbaijan Mugams often contain melodies that are reminiscent of Rimsky-Korsakov, Khachaturian and Turkish music. One of his early success outside the USSR was Kyurd Ovsharï suite conducted by Leopold Stokowski. 0:00 Ballade 0:48 Nocturne 2:41 Lyrical Dance (me favorite in this set) 4:28 Lullaby 6:29 Barcarolle (i made a little mistake near the end..) 8:03 Elegy If you can, I would very much appreciate it if you donate any amount for my work in this channel:) https://www.paypal.me/gamma1734