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Thanks to everybody who helped welcome our new Halcyon Gold Overdrive into the big, scary world of Klon-inspired pedals. We've had plenty of questions about pairing this new offering with all sorts of different gear, so we spent a frantic day trying out a variety of setups. Here is the video of the results! Product Page: https://origineffects.com/product/hal... ------ 00:00 - Introduction 00:29 - Gold + RevivalDRIVE Compact [Strat] 01:25 - Gold + RevivalDRIVE Compact [Les Paul] 02:16 - Gold + RD Compact Hot Rod 02:55 - Gold + DELUXE61 03:55 - Gold + MAGMA57 [With Mod] 04:38 - Gold + MAGMA57 [No Mod] 05:13 - Gold vs M-EQ DRIVER [Part 1] 06:21 - Gold vs M-EQ DRIVER [Part 2] 07:03 - Gold vs Green 08:03 - Gold + DCX BOOST 08:34 - Gold + DCX BASS + BASSRIG Super Vintage [BASS] 09:08 - Gold + DCX BASS + BASSRIG '64 Black Panel [BASS] 09:50 - Gold + Deluxe Reverb [Clean Amp] 10:21 - Gold + Deluxe Reverb [Dirty Amp] 10:46 - Gold + JTM45 11:17 - Gold + JMP 2204 11:49 - Gold + SLO-100 ------ Additional Information: Speaker cabinet IRs are indicated on screen. Speaker cabinet choice changes from clip-to-clip. Guitar Amp-Recreation Demos: Demos featuring our Amp-Recreation pedals (RevivalDRIVE Compact, RD Compact Hot Rod, DELUXE61, and MAGMA57) were recorded direct using IRs, with no traditional guitar amp in the signal path. Each pedal's POST-DRIVE-EQ is set to P/AMP mode, allowing the pedals to act in place of a traditional amplifier. The settings seen on screen are the exact settings you're hearing. Bass Amp-Recreation Demos: Demos featuring the BASSRIG Super Vintage and '64 Black Panel were recorded direct using the DI OUT of the pedals. The settings seen on screen are the exact settings you're hearing. Guitar amp demos: Demos recorded with traditional, valve guitar amps (Deluxe Reverb, JTM45, JMP 2204 and SLO-100) were recorded using a load box. After which the signal was sent to the same IR loader as used during the Amp-Recreation demos. WDW: These demos were recording using a WDW setup. Reverb and delay were provided by the Strymon Bigsky & Timeline. Recording & Post Processing: All tracks were recorded via a Focusrite interface with no additional mic-pres or outboard. No EQ, compression, reverb or delay was added during the recording or export process. ------