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Weekly BobBlast Issue 552 Bob's Favorite Compositions for a Landscape, Part Two Welcome Back to Another BobBlast! In this BobBlast, we are continuing with our New Year “Back to the Basics” theme… focusing on Bob’s four favorite compositions for a landscape. This is Part Two, featuring Tunnel Vision and the Golden Section. The first featured composition this week is full of visual drama and strong contrast: Tunnel Vision Composition. This graphic composition is exactly as it is called… everything leads your eye to one lighted point, whether you're looking out through a tunnel (light at the end of the tunnel) or you are at the bottom of the Grand Canyon with high mountainous cliffs on both sides. You are illustrating a Vanishing Point and that focal point may be the setting sun, a wedge of sky or a gap in the forest of trees. Even urban scenes have a vanishing point, using buildings and sky scrappers and the pedestrians' point of view… all the way down to the red stop light. The end result is a simple, yet powerful graphic design with a memorable impact. This week's Tunnel Vision painting demo shows my preference for dark shapes on both sides, leading to one bright focal point. The second composition is the Golden Section. I quickly show you how to find the eye-catching Golden Section — the sweet spot, the focal point! Think 1/3 • 1/3 • 1/3 - Divide the painting surface into thirds, much like a tic-tac-toe. Where the lines overlap and intersect in the four places, you choose only one “crosshair” spot as your Golden Section. Whatever focal point you position in that chosen spot is aesthetically pleasing and comfortable to human nature. For a deeper and more scientific quest on this subject, do a google search for the Golden Section or the Golden Means. Get out your protractor, ratio guides and lonely nights. I prefer the BobBlast way! Don't forget your morning warm up exercises: Start small daily warm up paint sketches of landscapes. Spread all papers cut or torn to the size you want on your painting table. Use extra large brushes, paper towels and fingers. Paint all paintings at the same time, one after the other. Think about the graphic design BEFORE you start. Consider the following: •Color Combination •Light Source •Darks and Lights •Soft and Hard Edges It's all about your own original point of view! Stay tuned for the next BobBlast, where we will feature another one of Bob’s favorite studio techniques… working with isopropyl alcohol to create interest and texture! Upcoming Online Workshops •January 30, 2025 Loose Figures in an Abstract Painting https://robertburridge.com/zoomin-wit... •February 25, 2025 Painting Light & Shadow https://robertburridge.com/zoomin-wit... Upcoming Online Demos •February 14, 2025 Diptychs and other Multiples •March 10, 2025 Painting Heart Air Balloons https://robertburridge.com/monthly-de... Come Paint with Bob in his Studio in Arroyo Grande, CA 2025 Mentor Workshops! •March 13-16, 2025 •August 7-10, 2025 •September 25-28, 2025 •Nov 6-9, 2025 https://robertburridge.com/burridge-s... Sign up with a deposit for any In-Person Studio Workshop before 1/31/25 and receive $100 off on your balance! Traveling Bob – In-Person Workshops! •April 6-12, 2025 Abstract Acrylic Painting & Collage Hudson Valley Art Workshops, Greenville, NY Contact Kim LaPolla (518) 966-5219 or (888) 665-0044 https://www.artworkshops.com/workshop... •May 19-23 2025 Abstract Painting & Collage Retreat & Gallery Show at GOH Gallery of Hermosa, Hermosa Beach, CA https://galleryofhermosa.com/collecti... It was so successful last time, we just had to do it again! Burridge Online Coaching •Private one-on-one Critiques • Coaching • Comments • Strategies https://robertburridge.com/burridge-o...