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Eminem - The Real Slim Shady [Explicit] (Official Music Video) Eminem - The Real Slim Shady [Explicit Version] [Uncensored] [Remastered In 4K] (Official Music Video) (24/96kHz) Provided to YouTube by Universal Music Group The Real Slim Shady · Eminem The Marshall Mathers LP ℗ 2000 Aftermath Entertainment/Interscope Records Released on: 2000-05-23 Producer, Studio Personnel, Mixer: Dr. Dre Producer: Mel-Man Studio Personnel, Recording Engineer, Mix Engineer: Richard "Segal" Huredia Composer Lyricist: Marshall Mathers Composer Lyricist: Andre R. Young Composer Lyricist: Mike Elizondo Composer Lyricist: Tom Coster Auto-generated by YouTube. Is a song by American rapper Eminem from his third album The Marshall Mathers LP (2000). It was released as the lead single a month before the album's release. Was Eminem's first song to reach number one in the UK and it also peaked at number four on the Billboard Hot 100, giving him his biggest hit up to that point. The song was the 14th best selling of 2000 in the UK. It won multiple awards, including MTV Video Music Awards for Best Video and Best Male Video, as well as a Grammy Award for Best Rap Solo Performance. In October 2011, NME placed it at number 80 on its list "150 Best Tracks of the Past 15 Years". It was listed at number 396 on NME's 500 greatest songs of all time. Was not originally intended to be part of The Marshall Mathers LP. Interscope Records's Jimmy Iovine wanted Eminem to have a song to introduce the album, similar to the way "My Name Is" was the first single on The Slim Shady LP. Eminem, Dr. Dre, Tommy Coster and Mike Elizondo wrote just hours before the final copy of the album was due. The first single was intended to be "Who Knew." Philip G. Atwell And Dr. Dre directed the music video filmed in 7-10 April 2000. Actress and comedian Kathy Griffin, notable for insulting celebrities in her act, appears in the video as an attending nurse in a psychiatric ward. Griffin said during a July 21, 2005, interview on The Tonight Show with Jay Leno that Eminem selected her for the video because fellow rapper Snoop Dogg told him she was "really funny." Was very successful at the 2000 MTV Video Music Awards, winning awards for Video of the Year and Best Male Video, as well as being a nominee for Best Rap Video, Best Direction, Best Editing and Viewer's Choice. The song was also performed by Eminem at the show with look-a-likes of himself, as in the video. PopMatters described this song: In a number of songs on the new album, including the current single, 'The Real Slim Shady,' Eminem slams his 'enemies' with comic book intensity. In the video, he wears a superhero costume and an insane asylum straitjacket while rapping, 'I'm sick of you little girl and boy groups, all you do is annoy me / So I have been sent here to destroy you / And there's a million of us just like me / Who cuss like me; who just don't give a fuck like me / Who dress like me; walk, talk and act like me / And just might be the next best thing, but not quite me!' Of course, the irony is built into the song: Eminem's signature style the bleached blond hair, pale skin, humungous T-shirt has spawned droves of lookalikes and wannabes. Voila, he's a teen idol. Poor Em, can't win for losing. AllMusic highlighted the single. Entertainment Weekly's Will Hermes was also positive, writing, "In the aftermath of Slim Shady, he married the girlfriend he imagined killing, while his mother, immortalized in his hit single 'My Name Is' (I just found out my Mom does more dope than I do), sued him for $10 million for defamation of character." The defamation case was settled in 2001 for $25,000 as Debbie Mathers' former attorney was awarded $23,354—netting Ms. Mathers just over $1600 for her efforts. The Los Angeles Times wrote, The first single from the album, is a modest step to the mainstream—a fresh and funny, almost PG-rated swipe at everything from the Grammy Awards to shallow teen pop", while IGN said: "The album's obligatory 'pop' number is exposed on 'The Real Slim Shady,' which chugs and lurches along to a boinging electro funk beat. It would be a total pop smash if it weren't for the lyrics, though. Leave it to Em to juice it up with ear candy effervescent, but keep the words in the subversive. As with the other Dre crafted tunes on the album, there's plenty of cool special effects bustling about—fart noises, heavy breathing, all of it coalescing with Em's cartoon character on crystal meth delivery. Sure it's pop, but of the most demented nature." Manufactured & Distributed By – Universal Music & Video Distribution, Inc. Phonographic Copyright ℗ – Interscope Records & Aftermath Entertainment