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Tony Hoagland: The American Poetic Voice

What is most distinctive about the American poetic voice? It may be its democratic vernacular, its elasticity, its plainness of style, its life-giving vulgarity, its pragmatism, its materialism, its self-regard, or its humour. All of these features are embedded in that mysterious element we call Voice, that rhythmic undulating metabolism which transports and delivers whatever "information" a poem contains. In this talk, given at Ledbury Poetry Festival on 3 July 2017, Tony Hoagland uses examples to analyse, admire and illustrate some of the specific secrets of the American voice, providing a means for considering the craft of any poetic voice. His examples include poems by Frank O'Hara, Ezra Pound, Louise Glück, Adrian Blevins and Genevieve Taggard. Tony Hoagland also shared a reading at Ledbury in 2017 with Thomas Lynch (see separate video:    • Tony Hoagland live at Ledbury Poetry Festival  ) Tony Hoagland is one of America’s leading poets. His first collection, Sweet Ruin (1992), won the Brittingham Prize in Poetry. His second, Donkey Gospel (1998), won the James Laughlin Award of The Academy of American Poets. The third, What Narcissism Means to Me (2003), was shortlisted for a National Book Circle Critics Award. His first UK book of poems, What Narcissism Means to Me: Selected Poems (Bloodaxe Books, 2005) drew upon these three collections, and was followed by Unincorporated Persons in the Late Honda Dynasty (2010) and Application for Release from the Dream, published by Graywolf Press in the US in 2015 and by Bloodaxe in Britain in 2016. He has also published Real Sofistikashun: Essays on Poetry and Craft (Graywolf Press, USA, 2006) and Twenty Poems That Could Save America and Other Essays (Graywolf Press, USA, 2014).