Review Demo - Chase Bliss Audio Wombtone Phaser скачать в хорошем качестве

Review Demo - Chase Bliss Audio Wombtone Phaser

Read the review: http://bit.ly/ChaseAudioWombtone Picture the two biggest-selling phasers ever. (That’s the Phase 90 and Small Stone, for those of you dwelling on other planets.) Now count the knobs on each: one. Apart from that crazy color switch on the Small Stone, that’s all it took to conjure rushing, whooshing, deliciousness from those beautifully primitive boxes. Indeed, simplicity can sound beautiful. But phase can be shaped and manipulated to dramatic musical ends in many ways beyond just rate and depth. The Wombtone, by Chase Bliss designer Joel Korte, seems hell-bent on putting every imaginable shade of phasing at the player’s fingertips. So while the Wombtone lacks the boneheaded-yet-elegant simplicity of the classic phasers, it’s a veritable amusement park for phase devotees—and one of the most inventive evolutions of the effect that we’ve seen in a compact stompbox. Joel Korte’s ability to stuff a lot of wave-shaping control into a small enclosure is impressive. The Wombtone bristles with switches and knobs—and none of them seem superfluous. The speed knob ranges from lazily cycling swirl to frantic hummingbird-wing flutter. The depth control provides everything from subtle, barely perceptible phasing to intense, near-percussive peaks (which can be especially hard-hitting with extreme feedback setting). Players who obsess over perceived level loss in modulation pedals will love the volume control, which overcomes any perceived signal loss—and lends a surprisingly complex drive texture at intense settings. Unlike some simpler, less expensive phasers, the Wombtone doesn’t excessively color or suck the life from your tone. In fact, the relative transparency can startle if you’re used to vintage phaser tones. The form knob generates some of the most interesting sounds by shifting the wave peak, creating asymmetric shapes that alter the phase’s rhythmic character. You can sculpt the wave even more radically by assigning different wave shapes to either side of the peak via two wave-shape switches, each with the option of square, triangle, and sine waveforms. At times, the two functions work together to give the Wombtone a fun synth-like personality. Thankfully, the Wombtone has two presets, so you can toggle between your most demented setting and the lush familiarity of conventional phasing. The ramp function in particular makes the Wombtone special. It controls the rate at which the effect swells in intensity. Ramping is typically used to simulate the gradual acceleration of a Leslie speaker, but here it’s far more multifaceted. (More on this in a moment.) To finish reading the review, visit: http://bit.ly/ChaseAudioWombtone