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The second movement of the Tempest Sonata offers some needed respite from the previous one, although even here there are patches of shadow to be found. Like the other two, it is in sonata form, although it lacks a development section. The way this movement opens is identical to the first's, and the first theme's rising notes (0:05) subtly resemble the recitative found in it, too, suggesting some sort of connection. A curious bass figure (1:11) serves as the main focus of an elaborate transition towards the lyrical second theme (2:13), perhaps the first true moment of peace in this sonata. Still, the bass figure returns to darken the atmosphere noticeably (2:44). With there being no development section, we arrived at the recapitulation almost before we realize it (3:10). It remains the same as the exposition when it comes to the order of events, but subtle alterations give new perspectives on the context. When the curious bass figure promptly returns in the middle of the second theme (4:17), it proceeds to extend it ever so slightly. The short coda (6:31) seems at first to be the first theme starting one more time, but it ominously stops halfway through (6:40). In that way, it's perhaps a perfect summary of this movement's overall mood: peaceful yet shadowed. Piano Sonata No. 17 in D minor "Tempest", Op. 31, No. 2 II. Adagio Composer: Ludwig van Beethoven Soundfont: Pokémon Black/White Movement 1: • Beethoven - Piano Sonata No. 17 "Tempest",... Super Metroid version: • Beethoven - Piano Sonata No. 17 "Tempest",...