Drum Mixing Tutorial: The Importance of OH and Room mics. скачать в хорошем качестве

Drum Mixing Tutorial: The Importance of OH and Room mics.

Get my EPK Template: https://pages.adam-fiasco.com/freeart... 0:00 Intro 0:44 The Most Important Part of your Drum Mix 1:30 Song demonstration 1:49 The OH mics 3:33 Hear the OHs 4:29 The Room Mics 5:22 Hear the Room mics 5:57 Hear the OHs and Room mics together! 6:18 Supplementing with close mics 7:40 Example with MIDI programmed drums 8:41 EPK Template ——— Listen to some of my work! https://www.adam-fiasco.com/portfolio DAW / Program I Use: Cubase Pro Vocal Chain: Mic - U47, WA251, AKG414, WA84 Preamp - Neve 1073, TB12 Compressor - LA2A, 1176 (Rev A & D) I/O - Lynx Aurora (n) ——— Adam Fiasco's channel is dedicated to helping Pop, Rock and Country artists. Thank you for being a subscriber My Gear: DAW: Cubase 13 Pro Desk: Zaor Onda Angled Main Microphone: U47, WA251 Monitors: Focal Solo6 Be Interface: Lynx Aurora (n) Compressor: LA2A, 1176 (Rev A & D) MIDI Keyboard: M-Audio Hammer 88 Guitars: Fender American Stratocaster, Fender Standard Telecaster, Gibson Les Paul Studio, Epiphone Les Paul Custom, Fender Precision Deluxe Bass, Taylor 814ce, Martin DC1e Preamps: Neve 1073DPD, TB12 Extra Microphones: AKG 414, WA87, WA84, SE VR1, Shure SM57 ——— Drums are the foundation of many songs, especially in Pop, Rock and Country. As a result they need to sound stellar... fat, punchy, and have lots of impact. The most important aspect of achieving a great drum sound is your Overhead and Room tracks. In most mixes, these account for probably 70-80% of the overall drum sound. The close mics are then there to supplement this and add any extra character needed. In this video I show you exactly how I record and mix drum overheads and room mics to achieve a professional drum mix.