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Joni Mitchell sings 'Chelsea Morning' from her 1969 Reprise album 'Clouds'. Stephen Stills is on bass and guitar on the album and Joni Mitchell on guitar and keyboards. The lyrics are in the video and below with comments about the song. Note: This is one of Joni Mitchell's best-known songs. She is going to sing for the first time at the Grammy Awards Show in two days on February 4, 2024. Joni Mitchell in this song wrote about what she saw and heard from her apartment in the Chelsea neighborhood of New York City so this video shows some images of Chelsea and other images that try to capture the spirit of the song. [Vinyl/Lyrics/16-Images/WAV] Chelsea Morning (Singer: Joni Mitchell) Woke up, it was a Chelsea morning And the first thing that I heard Was a song outside my window And the traffic wrote the words It came ringing up like Christmas bells And rapping up like pipes and drums Oh, won't you stay We'll put on the day And we'll wear it 'till the night comes Woke up, it was a Chelsea morning And the first thing that I saw Was the sun through yellow curtains And a rainbow on the wall Blue, red, green and gold to welcome you Crimson crystal beads to beckon Oh, won't you stay We'll put on the day There's a sun show every second Now the curtain opens on a portrait of today And the streets are paved with passersby And pigeons fly And papers lie Waiting to blow away Woke up, it was a Chelsea morning And the first thing that I knew There was milk and toast and honey And a bowl of oranges, too And the sun poured in like butterscotch And stuck to all my senses Oh, won't you stay We'll put on the day And we'll talk in present tenses When the curtain closes and the rainbow runs away I will bring you incense owls by night By candlelight By jewel-light If only you will stay Pretty baby, won't you- Wake up, it's a Chelsea morning Songwriter: Joni Mitchell [Lyrics from Musixmatch] Wikipedia states: "Chelsea Morning" is a song written and composed by Joni Mitchell and recorded for the singer's second album, Clouds, which she released in 1969. The song was inspired by Mitchell's room in the Chelsea neighborhood of New York City. The inspiration for the first verse comes partly from the distinct décor of her apartment. While in Philadelphia, Mitchell and friends had made a mobile from shards of colored glass they had found in the street and wire coat hangers, which filtered the light coming into her room through the window and created the "rainbow on the wall." During coffeehouse performances of this song in the late 1960s, Mitchell explained that the famous stained glass had been rescued from the salvaged windows of a demolished home for unwed mothers. The lyrics of this song demonstrate Mitchell's talent with imagery, and her strong use of visual inspiration, which comes from her background in visual art. Example: "The sun poured in like butterscotch and stuck to all my senses." Mitchell explained in 1996: "It was a very young and lovely time ... before I had a record deal. I think it's a very sweet song, but I don't think of it as part of my best work. To me, most of those early songs seem like the work of an ingenue." Prior to coming out on the Mitchell album, the song had been issued as a track on the debut album by Fairport Convention in 1968, as a single by Gloria Loring, and as a single by Judy Collins earlier in 1969. Jennifer Warnes recorded it for her debut album, I Can See Everything, also in 1968, and, in 1969, this version was released as a single. The earliest commercial appearance of the song, however, was likely its interpretation by Dave Van Ronk on his 1967 album Dave Van Ronk and the Hudson Dusters.