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The album’s one saving grace though is, of course, ‘Cry’, a stunning piece of emotion that stands out amongst all the rest of the clever-cerebral thinking like tears at a game of poker. Clearly following on from the songs loss on ‘Birds Of Prey’, Godley admits that he’s moved to tears by a recent breakup and the root of it is a misunderstanding that breaks his heart and makes him wanna cry. Though amongst the pair’s simplest and most direct songs, this is also amongst their best with a passion and drama that demands everything from Godley from a deep sarcastic grumble to a falsetto cry (actually a lot of falsetto cries that get higher in pitch at the end, the only characteristic Godley-Creme touch in the whole song). Lol’s synth-heavy backing also sounds impressively warm and tender for a collection of instruments that are largely digital and un-real, with the push going into the last verse truly exceptional. The pair’s best-selling song by some margin, the single was definitely helped on its way by the inventive video which merged faces of a whole cast of extras into each other to emphasise the universal appeal. This is Godley’s baby though and he’s never ever better than here. What a shame, though, that it doesn’t appear on a proper album but is lost in between some cynical re-tread of ‘Business Is Business’ from ‘L’ and a mind-numbing five minute repeat of ‘Big Boys Don’t Cry’ from ‘I’m Not In Love’. The extras are particularly good on this CD though and make for an excellent mini-album if you ignore the main course, especially the moody and magnificent single ‘Golden Boy’ which deserved to do even better as the follow-up to ‘Cry’.