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Meet Nico Levy, a French-born, Oslo-based photographer exploring how time turns into lived experience. In this episode of The Photographers of Oslo, Nico talks about moving from commercial work to personal, documentary-driven projects, his preference for medium-format black-and-white film, and why he photographs people on a small ferry route to capture unguarded, human moments. This video is part of an ongoing documentary series that spotlights photographers working in and around Norway’s capital—what drives them, how they work, and the stories they want to tell. The aim is to share creative processes, styles and goals, and to reflect the city’s vibrant photographic community while opening Oslo’s scene to a wider audience. What you’ll hear about: Documentary practice shaped by both street and studio thinking Working with a rangefinder and a prime lens on film (and why constraints help) Influences (e.g. Henri Cartier-Bresson, Robert Frank, Harry Gruyaert) and ideas (punctum/studium) The ferry project: placing the camera where people are having real experiences, not just passing time Staying honest, avoiding complacency, and making photographs that feel rather than merely look good If you enjoy thoughtful conversations about photography, creativity and process, consider subscribing to follow the full series. Technical stuff: Shot with a Fuji X-S20 with a Canon nFD 24/2.8. Edited with Davinci Resolve Studio. Colourgraded with ACES lite - Look Library by Joo.Works. Keywords: Photographers of Oslo, Oslo photography, Oslo street photography, Norwegian photography, documentary photography, black and white photography, medium format film, rangefinder photography, Mamiya 7II, ferry project, Oslo fjord, artist interview, photography process, creative process, Henri Cartier-Bresson, Robert Frank, Harry Gruyaert, Jackson Pollock, Roland Barthes, street photography Oslo, Norway photography, Nordic photography, Oslo photo community, Sivert Almvik