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KOR’SIA World premiere Centro de Cultura Contemporanea Conde Duque Madrid - 20 June 2025 The simulacrum is true.” Culture and Simulacrum – Jean Baudrillard Inhabiting Fragmentation Simulacrum could begin anywhere, but it chooses a roundabout. A circular space where everything spins without moving forward, without a starting point or fixed direction. A crossroads where paths blur and time repeats itself. A suspended place. In this space where linearity has dissolved, there is no single narrative to organize the chaos: only fragments, cuts, voids, overlays, dislocated images, and signs without cause or consequence. Not even the body remains. It does not act, it reacts. It speaks in no one’s name. Trace, echo, interference. Inspired by Jean Baudrillard’s theory, Simulacrum immerses itself in a present saturated with signs and screens, where simulation not only replaces truth, but erases any trace of an authentic referent, creating a fragile, artificial, and lost sense of meaning. In this fractured landscape, the piece abandons narrative structure and conventional representation to unfold a fragmented, dislocated dance—without beginning or end. Each gesture is a reaction, each image a gateway to another interface. In this way, the work becomes a metaphor for a greater fracture: of the subject, of time, of the world. In a universe ruled by invisible algorithms, where perception is filtered and genuine experience vanishes into an endless loop of echoes with no origin or destination, the tangible becomes code, and the visible, a bottomless illusion. Simulacrum embodies this infinite repetition, revealing the crisis of meaning and the disappearance of the real in the digital age. Where the only possible way forward seems to be a return. A restart that appears as liberation, but is, once again, another visual trick, another trompe-l’œil. A loop that sustains the illusion that something is changing, when in reality, everything repeats. -SIMULACRO is a co-production by: Centro de Cultura Contemporánea Conde Duque (Madrid) Centro di Produzione Porta D'Oriente (Bari, Italy) Biennale di Venezia – Danza (Venice, Italy) Montpellier Danse – Agora Montpellier (France) Theater Freiburg (Germany) WITH THE SUPPORT OF: Ministry of Culture – Government of Spain Community of Madrid Madrid City Council FEDORA Platform and the European Union@fedoraplatform7700