A SONG YOU CAN'T WRITE NO MORE | Steve Lane | from the forthcoming album 'Where The Rivers Meet') скачать в хорошем качестве

A SONG YOU CAN'T WRITE NO MORE | Steve Lane | from the forthcoming album 'Where The Rivers Meet')

Maybe songs grow from the very place the rivers meet… Award-winning Australian songwriter Steve Lane announces his latest single, A Song You Can’t Write No More (2024 ISC Semi Finalist Song), produced by ARIA award-winning Darren Seltmann (The Avalanches), recorded in both Central Victoria and Scotland. “A Song You Can’t Write No More is a plea for honesty and truth telling— even though 'the truth will make you shiver”. It’s also one of the catchiest songs on the record. Fans who discovered Steve Lane via the infectious track Certainty off his 2022 record The Great Imposter will welcome this one and find it impossible not to dance.” Josh Meadows, MAINE FM The singles video clip documents the creation of an artwork by emerging Melbourne artist (and Steve’s nephew) Darcy Shilton. We watch Shilton shape a limestone block into riverstone-like sculpture—inspired by the song itself! One side of the finished piece features a topographical view of a bend in Australia’s longest river, the Murray River, that Shilton arduously paddled during a time of intense retrospection. This is the first single off Lane's upcoming album Where the River Meets. The album came to life in both Australia and Scotland—in both Steve’s Troubled Waters studio near Bendigo and Beetroot Studio in Ayrshire, Scotland. The album features Steve’s son Kai on bass and daughter Neneh on keys, alongside the solid and steady input from long-term drummer and good friend, David Williams (Augie March, Fanning Dempsey National Park). The album also features John and Stephen Douglas of the legendary Glaswegian band, the Trashcan Sinatras. Renowned for his Americana-tinged guitar pop, Steve is one of Australia’s best-kept songwriting secrets. His passion for working in remote Aboriginal communities, helping others tell their stories, has fueled his desire to tell his own through song. In 2022, he released The Great Imposter, his fourth album and first with Scottish label Last Night From Glasgow. The album reached #2 in the UK Indie Breakers Chart, #5 on the Scottish Albums Chart and #8 on the UK Vinyl Albums Chart. ARIA award winning producer Darren Seltmann co-founded Australian band The Avalanches and co-produced their acclaimed 2001 debut album Since I Left You. Darren and Steve’s collaboration saw ideas and creative sparks fired back and forth, and the boundaries of the songs pushed and fine-tuned. The album was then artfully mastered by Grammy nominated Melbourne wizard Joe Carra. Music by Steve Lane Words by John Holton and Steve lane Steve Lane - electric guitars, vocals. Kai Lane U'Ren - bass, vocals David Williams - drums Pete Slater -acoustic guitar Dan McDonald: keys Engineered by Steve Lane | Mixed by Darren Seltmann | Mastered by Joe Carra @ Crystal Mastering What The Press said about 'A Song You Can't Write No More' Award-winning singer-songwriter Steve lane delivers the goods with his latest single “A Song You Can’t Write No More.” Steve Lane has long created stellar music that plays with pop,folk, and Americana sounds, but the psychedelic elements of this one are something new. The lyrics, which champion authenticity, as always hit home. I also love the music video, which shows Steve’s nephew and emerging Naarm/Melbourne artist Darcy Shilton shaping a limestone block into a sculpture inspired by this track. It’s such a unique concept for a music video, but it’s utterly mesmerising. “A Song You Can’t Write No More” comes from Steve’s fourth album, Where The River Meets, which will be released on October 5. He’s all play the following shows around its release: Lauren Katulka Sounds of OZ It was way back in 2022 that we were mightily impressed by the single ‘Don’t Forget To Breathe’ from central Victorian Steve Lane, and we are very honoured to premiere his new single ‘A Song You Can’t Write No More’. Coasting on crisp jangling guitars and heavenly melodies, this song has delicate layers of harmonies and yearning lyrics. There is an element of Sixties West Coast/LA shimmering americana (touches of Crosby, Stills and Nash or the Mamas & the Papas), but just as much genetic coding from antipodean indie pop royalty such as Paul Kelly. The result is something of the geography down under: endless horizons and wide open plains capped by cloudless skies, infused with a little melancholy, a little regret. The sounds also seems to incorporate First Nations percussive beats with an indie pop sensibility – a pattering entry and thrum that runs like an undercurrent throughout the track with some muscular fuzzy guitar running over the top. Arun Kendall Backseat Mafia