Powerful Khayal Part Three | Raag Patdeep | Pandit Venkatesh Kumar | Music of India скачать в хорошем качестве

Powerful Khayal Part Three | Raag Patdeep | Pandit Venkatesh Kumar | Music of India

#darbarfestival | North Indian vocal master Venkatesh Kumar brings powerful melodic ornamentations to Patdeep’s twisting phrases, accompanied by both sarangi and harmonium. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer If a few brief minutes of Venkatesh aren't enough…watch his full 50-minute in pristine HD on the Darbar Player, along with dozens of other captivating concerts: https://www.darbarplayer.com/videos/v... --------------------------------------------------------------------- Learn more about the music: Venkatesh Kumar sings a varied brand of khayal, incorporating influences from across India. Born in Karnataka, his father was a folk singer and puppeteer, who supported his musical inclinations but lacked the funds to help him pursue it (“we lived in poverty, sometimes meals were a problem”). However at the age of 12 he was accepted as a student at the Veereshwara Punyashrama, run by the legendary saint-musician Puttaraj Gawai. He lived there for the next 12 years, mastering the Gwalior and Kirana vocal gharanas before branching out to other styles including Carnatic music. His career launched when Bhimsen Joshi personally invited him to sing at a concert, but remained low-key for years as he preferred the stability and purity afforded by teaching positions to the unpredictable concert landscape. But he says that worldly recognition has not concerned him, as his music is a devotional endeavour (“I am after it to experience god. I am waiting for a divine experience in music every minute. This is for a lifetime.”). “I present the bandish in the Gwalior style, and then do the vistaar in the Kirana style. When it comes to taans, especially short, sharp taans, I try to draw from Ustad Bade Ghulam Khan, Ustad Nazakat and Salamat Ali Khan...a lot of my sargam patterns are from the Carnatic tradition.” (Venkatesh Kumar) Sitarist-scholar Deepak Raja describes his response to the raga’s subtly-coloured descent: “I associate this raga, in a very personal way, with the oppressive afternoon heat of May in the Indo-Gangetic plains. The very special treatment of the Re and Dh tones in this raga suggest to me the virtual wilting of the body and the mind under the remorseless tyranny of the North Indian summer.” Raag Madhuvanti is considered to be a descendent of Multani. Listen to more of it here: -Venkatesh Kumar (khayal) |    • Powerful Khayal | Raag Multani | Pandit Ve...   -Meeta Pandit (khayal) |    • Видео   -Kumar Mardur (khayal) |    • Raag Multani | Kumar Mardur | Kirana Khaya...   -Indrani Mukherjee (khayal) |    • Gorgeous Raag Multani | Indrani Mukherjee ...   Recorded at Darbar Festival 2010, at London’s King’s Place: -Venkatesh Kumar (khayal) -Satyajit Talwalkar (tabla) -Murad Ali (sarangi) -Tofail Ahmed (harmonium) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust