Bass - 2-5-1 F Major Backing Track (Gm7 C7 Fmaj7) II-V-I - Pop Funk Style 80 BPM скачать в хорошем качестве

Bass - 2-5-1 F Major Backing Track (Gm7 C7 Fmaj7) II-V-I - Pop Funk Style 80 BPM

#guitar #bass #ibanez #fender #yamaha #drum #bpm #guitar #251BackingTrack #IIVIMajor #251CMajor #JazzBackingTrack #ImprovisationPractice #blues #funk Collaborate with us and help shape the future of this project! ko-fi.com/famusics livepix.gg/famusics ----------------***--------------- Understanding the ii-V-I Progression in F Major The ii-V-I progression is the most important harmonic sequence in Jazz, Pop, and Brazilian music like Bossa Nova. It is called a "cadence" because it creates a specific movement that leads the listener's ear back to the starting point, providing a sense of completion. In the key of F Major, this sequence consists of three specific chords: G minor seventh, C dominant seventh, and F major seventh. Each of these chords plays a unique psychological role in the music: G Minor Seventh (The ii chord): This is the starting point. It has a soft, slightly melancholic sound that prepares the listener for movement. It functions as a "pre-dominant" chord, setting the stage for the tension to come. C Dominant Seventh (The V chord): This is the "engine" of the progression. It creates a strong sense of instability and tension. Because of the way the notes are arranged, the human ear naturally feels a "need" for this chord to move toward a more stable sound. F Major Seventh (The I chord): This is the resolution. It is the "home" chord of the song. When you reach this chord, the tension from the previous step is released, providing a feeling of rest and satisfaction.